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Richard R. St. Johns

Producer

Works as
Producer
Titles
13 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 11% in 30 days

What are Richard R. St. Johns' films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 8 · Heightened 2

Gentle 1 · Charged 6 · Intense 4

Steady 2 · Shifting 8 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 1

Slow burn 5 · Even-paced 6 · Relentless 0

Casual 3 · Engaged 8 · Full focus 0

Resolved 9 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Thrilling
4
Melancholic
3
Dread
2
Contemplative
1
Other
9

How their films end · 2 with a twist

  • Happy2
  • Bittersweet6
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard R. St. Johns' films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Richard R. St. Johns' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 13 with a MovieCove page.

  • Cowboy (not in the MovieCove catalog yet)(1983)

    Producer

  • Fire and Ice(1983)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • Dead & Buried(1981)

    Executive Producer

    Midcredits score: 65th percentile of all films
  • American Pop(1981)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • Venom(1981)

    Producer

    Midcredits score: 38th percentile of all films
  • A Change of Seasons(1980)

    Executive Producer

    Midcredits score: 21st percentile of all films
  • The Mountain Men(1980)

    Executive Producer

    Midcredits score: 53rd percentile of all films
  • The Final Countdown(1980)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • The Wanderers(1979)

    Executive Producer

    Midcredits score: 89th percentile of all films
  • Nightwing(1979)

    Executive Producer

    Midcredits score: 18th percentile of all films
  • Circle of Iron(1978)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • Matilda(1978)

    Executive Producer

    Midcredits score: 7th percentile of all films
  • The Uncanny(1977)

    Executive Producer

    Midcredits score: 33rd percentile of all films
  • The People That Time Forgot(1977)

    Executive In Charge Of Production

    Midcredits score: 18th percentile of all films
  • Revenge for a Rape (not in the MovieCove catalog yet)(1976)

    Executive Producer

Career shape

A full career of 14 titles from 1976 to 1983.

By role

only this rolewith another role
Producing13 of 14: 13 only producing, 0 with another role · typical Midcredits score53rdOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1970s7 · crew1980s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard R. St. Johns' films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 11

Approval · how many liked their films

44thpercentile
Typical film, the median of 11

Reach · how many have seen their films

70thpercentile
Typical film, the median of 11

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

5 of their 13 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Richard R. St. Johns' work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore and sex & nudity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles54–78 · median 62 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles34–56 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles29–66 · median 33 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 28 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 60 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Richard R. St. Johns work with?

People who share at least 2 of Richard R. St. Johns' MovieCove titles, grouped by what they did on them; Martin Ransohoff shares the most, 4.

Directors

Writers

Actors

Composers

Producers