
Paul Stassino
Actor · Died June 22, 2012, aged 81 · Limassol, Cyprus
Phaedros Stassinos was a Greek-Cypriot actor whose international stage name was Paul Stassino. He was born in Cyprus but at age 17 left for the U.K. to study at the Royal Academy of Dramatic Art in London. Spent most of his acting career in Britain. He appeared in British TV dramas such as Danger Man (1960) and The Saint (1962). Best known performance was in the James Bond film Thunderball (1965) when he played two parts, Major François Derval and Angelo Palazzi. Other roles include "Le Pirate" in That Riviera Touch (1966), and the first officer of the Colombian ship Paloma in Tiger Bay (1959). Left the U.K in the seventies to manage a casino in Athens, Greece. In the 1980s returned to his homeland of Cyprus. He had three children from two marriages: two from his British first wife, who live in the U.K. and one, from his Greek second wife, who lives in Greece.
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Biography from IMDb.
- September 29, 1930
- June 22, 2012 (aged 81)
- Limassol, Cyprus
- Actor
- 21 on MovieCove · 41 credits in all
What are Paul Stassino's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 2 · Serious 3 · Dark 3
A split, not a type: Grounded 5 · Stylized 3 · Heightened 0
Gentle 1 · Charged 5 · Intense 2
Steady 3 · Shifting 5 · Whiplash 0
Straight-faced 6 · Some laughs 2 · Funny 0
Slow burn 5 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 5 · Full focus 1
Easy watch 3 · Affecting 4 · Heavy 1
Resolved 6 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy4
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Stassino's films?
As of October 24, 2026, 11 of their 21 MovieCove titles stream on a subscription or free service.
- BritBox
Subscription and free streaming for Paul Stassino's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
41 credits, 21 with a MovieCove page.
Κύριε Πρόεδρε (not in the MovieCove catalog yet)(2001)

Escape to Athena(1979)
Midcredits score: 30th percentile of all films
The Protectors(1972)
Midcredits score: 34th percentile of all shows
Die Screaming Marianne(1971)
Midcredits score: 18th percentile of all films
You Can't Win 'Em All(1970)
Midcredits score: 37th percentile of all films
The Naked Sun (not in the MovieCove catalog yet)(1969)

The Magus(1968)
Midcredits score: 37th percentile of all films
The Champions(1968)
Midcredits score: 67th percentile of all shows
That Riviera Touch (not in the MovieCove catalog yet)(1966)

Where the Spies Are(1965)
Midcredits score: 29th percentile of all filmsThe Spies (not in the MovieCove catalog yet)(1966)

Thunderball(1965)
Midcredits score: 75th percentile of all films
McGuire, Go Home!(1965)
Midcredits score: 29th percentile of all films
Sands of Beersheba (not in the MovieCove catalog yet)(1964)

The Moon-Spinners(1964)
Midcredits score: 61st percentile of all films
The Long Ships(1964)
Midcredits score: 46th percentile of all films
The Verdict (not in the MovieCove catalog yet)(1964)

Stolen Hours(1963)
Midcredits score: 42nd percentile of all films
Sammy Going South (not in the MovieCove catalog yet)(1963)

The Saint (not in the MovieCove catalog yet)(1962)
Crying Down the Lane (not in the MovieCove catalog yet)(1962)
Midcredits score: 59th percentile of all films
Sir Francis Drake (not in the MovieCove catalog yet)(1961)

Man Detained (not in the MovieCove catalog yet)(1961)

Adventure Story (not in the MovieCove catalog yet)(1961)

Echo of Barbara (not in the MovieCove catalog yet)(1961)

Exodus(1960)
Midcredits score: 71st percentile of all films
The Criminal (not in the MovieCove catalog yet)(1960)

Danger Man(1960)
Midcredits score: 83rd percentile of all shows
Sands of the Desert (not in the MovieCove catalog yet)(1960)

Moment of Danger (not in the MovieCove catalog yet)(1960)

The Stranglers of Bombay(1959)
Midcredits score: 44th percentile of all films
Interpol Calling (not in the MovieCove catalog yet)(1959)

The Bandit Of Zhobe (not in the MovieCove catalog yet)(1959)

Tiger Bay(1959)
Midcredits score: 91st percentile of all films
The Great Van Robbery(1959)
Midcredits score: 20th percentile of all films
The Man Who Liked Funerals (not in the MovieCove catalog yet)(1959)

Ice Cold in Alex(1958)
Midcredits score: 96th percentile of all films
Pickup Alley(1957)
Midcredits score: 41st percentile of all films
Night Ambush(1957)
Midcredits score: 62nd percentile of all films
Armchair Theatre (not in the MovieCove catalog yet)(1956)
Career shape
Star power in the 90th percentile of 239,109 people with a billed film role, over a full career of 41 titles from 1956 to 2001; peak year 1960.
Film career
Peak 1960 · fewer prominent film roles lately. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1957Screen debut· Ill Met by Moonlight
- 1965Career best· Thunderball
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Paul Stassino's films land?
Their typical MovieCove film has a Midcredits score in the 43rd percentile, the median of all 18; across their 8 films with reception data, the typical film sits in the 37th percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th10
- Below 25th2
Shape of the crowd
8 of their 21 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser8
- Broadly Agreed6
- Mixed5
Reviewers score the acting 70/100 in their films, across 8 reviewed titles; fans 78, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paul Stassino work with?
People who share at least 2 of Paul Stassino's MovieCove titles, grouped by what they did on them; George Pastell shares the most, 4.
Actors
- George PastellShared titles: The Magus (1968), McGuire, Go Home! (1965), The Stranglers of Bombay (1959), Tiger Bay (1959)See all 4 shared titles with George Pastell

- John Le MesurierShared titles: Where the Spies Are (1965), The Moon-Spinners (1964)See all 2 shared titles with John Le Mesurier

- Hayley MillsShared titles: The Moon-Spinners (1964), Tiger Bay (1959)See all 2 shared titles with Hayley Mills

- Marne MaitlandShared titles: The Stranglers of Bombay (1959), Tiger Bay (1959)See all 2 shared titles with Marne Maitland

Cinematographers
- Arthur GrantShared titles: Where the Spies Are (1965), The Stranglers of Bombay (1959)See all 2 shared titles with Arthur Grant

