Marina Stavenhagen
- Writer
- 4 on MovieCove · 17 credits in all
Known for
What are Marina Stavenhagen's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 1 · Charged 1 · Intense 1
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marina Stavenhagen's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Marina Stavenhagen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 4 with a MovieCove page.
María La Diva Eterna(2023)
Midcredits score: 41st percentile of all films (provisional, few ratings)
Whispers Of Silence (not in the MovieCove catalog yet)(2021)
Lopon (not in the MovieCove catalog yet)(2020)
Nahuí - the woman behind the legend (not in the MovieCove catalog yet)(2020)
One Hundred Years with Juan Rulfo (not in the MovieCove catalog yet)(2017)
Have You Seen Lupita? (not in the MovieCove catalog yet)(2012)
Round Trip (not in the MovieCove catalog yet)(2009)
A Movie of Eggs(2005)
Midcredits score: 78th percentile of all films
Zurdo(2003)
Midcredits score: 70th percentile of all films
Streeters(2001)
Midcredits score: 78th percentile of all films
Zapatista Women (not in the MovieCove catalog yet)(1995)
In The MIddle of Nowhere (not in the MovieCove catalog yet)(1993)
Sonata de luna (not in the MovieCove catalog yet)(1992)
Amor y venganza (not in the MovieCove catalog yet)(1991)
Dentro de la noche (not in the MovieCove catalog yet)(1991)
The Last Moon (not in the MovieCove catalog yet)(1990)
Beloved City (not in the MovieCove catalog yet)
Career shape
A full career of 15 titles, 14 of them dated from 1990 to 2023.
How do Marina Stavenhagen's films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marina Stavenhagen work with?
People who share at least 2 of Marina Stavenhagen's MovieCove titles; Arcelia Ramírez shares the most, 2.
- Arcelia RamírezShared titles: María La Diva Eterna (2023), Zurdo (2003)See all 2 shared titles with Arcelia Ramírez
- Gustavo Sánchez ParraShared titles: Zurdo (2003), Streeters (2001)See all 2 shared titles with Gustavo Sánchez Parra
