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Jim Steele

Producer

Jim Steele has been in the film business for 25 years. His current producing projects include: "God Is A Bullet" directed by Nick Cassavetes and starring Nikolaj Koster Waldau, Maika Monroe and Jamie Fox. Shelter me starring Nick Nolte, Jackie Bisset and Oliver Masucci. Most recently he produced "Blackout" directed by Sam Macarone with Josh Duhamel; "Running With The Devil" starring Lawrence Fishburne, Nick Cage, Adam Goldberg, Clifton Collins and Leslie Bibb; Cut Throat City directed by RZA and starring Eiza Gonzalez, Wesley Snipes, Ethan Hawke, Terence Howard, Isaiah Washington and TI; Tales From The Hood 2 directed by Rusty Cundieff and Darin Scott and Executive Produced by Spike Lee; Nostalgia directed by Mark Pellington and starring Jon Hamm, Bruce Dern and Ellen Burstyn. Steele's first job in Hollywood was at Hemdale Films in 1988 as a Director of Business Affairs & International Sales. At Hemdale, he was involved in films including: "Last Emperor," "Platoon," "At Close Range," "Terminator" and many others. In 1990, he left Hemdale to run Paul Bartel's North Street Films where he was involved in films including "Scenes from A Class Struggle in Beverly Hills" and the "Life and Death of Andy Warhol" with Gus Van Sant. In 1991 Steele co-produced "Made In The USSR" (starring Frank Whaley and Roman Polanski). "Made In The USSR" was the first Hollywood film shot in Russia following the collapse of the Soviet Union. In 1992, he joined Working Title Films as VP Production & Acquisitions. At Working Title, he was involved in films including: "Four Weddings & A Funeral," "Romeo Is Bleeding," "Bob Roberts" and "Map of The Human Heart." He then produced Working Title's black western "Posse" directed by Mario Van Peebles. In 1994, he co-produced "Love & A 45" with Renee Zelwigger. In 1995, Steele joined Live Entertainment / Artisan as Sr. VP Production and Acquisitions where he was involved in films including: "Bad Lieutenant," "Reservoir Dogs," "Killing Zoe," "Little Odessa," "Usual Suspects," "Trees Lounge" and many others. Steele also produced Mark Anthony & Tom Berenger's "The Substitute" and the Charlie Sheen sci-FYI "The Arrival" and "Café Society" directed by Raymond DeFelitta. In 2000 Steele was hired as president of Internet film company ShowBizData.com. At ShowBizdata Steele produced and acquired over 300 hours of web TV and created partnerships with Sundance Film Festival the Cannes Film Market, Yahoo and Microsoft. A highlight of this work was the staging of multimedia exhibits at the Cannes Film Festival and Sundance in 2000 & 2001. The exhibits received international media attention and established Steele as a pioneer in digital cinema and large screen electronic distribution. In 2002, Steele built the world's first digital cinema network with partner Microsoft. The network connected 45 of the top art houses in America with digital cinema infrastructure designed by Steele's company Digital Cinema Solutions (DCS). From 2002 and 2005, DCS digitally distributed over 50 films theatrically including: "BMW Film shorts," "Standing In The Shadows of Motown," "Saraband," "Step Into Liquid," "Russian Ark," "Fog Of War." DCS partners included: Sony Classics, Lions Gate, Magnolia, Paramount Classics and many others. In 2005, Steele sold DCS and started Filmray, Inc. One of Filmray's first clients was Mark Cuban's Landmark Theatres. In 2005, Steele oversaw Landmark's first digital cinema deployments launched with Steven Soderberg's film Bubble. Bubble made history as the first film released on DVD and in theaters simultaneously. A partial list of other Filmray clients include Warner Bros., 20th Century Fox, New Line Cinemas, Qube Cinemas, Living Room Theatres, Panasonic, Sony, Microsoft, Intel, AMD, First Look Films; Y&R and others. In 2007 to 2010 Steele was contracted by Indian conglomerate Reliance (partner of DreamWorks Entertainment) to build a digital cinema infrastructure and help advise on their overall US and European cinema exhibition strategy. This included advising Reliance in the purchase of 200+ screens in the United States and overseeing the build-out of a fiber based content delivery network (CDN) from Mumbai India to Europe and the United States which was integrated into their other digital platforms. In 2011 Steele Executive Produced the critically acclaimed Russian film "Generation P" which premiered at Lincoln Center and MOMA prior to being released in the United States in 2012 and which the Huffington Post called one of the top films of 2012. In 2012 Steele was invited to Russia to consult on a film finance initiative and subsequently became involved as an Executive Producer on "Empire V" a Russian/German co-production based on best-selling Russian author Victor Pelevin's novel being co-produced by Studio Babelsberg (Inglorious Bastards, Annonymous). Steele is a senior consultant and board member of Global Cinema Initiatives a blended debt & equity TV & film fund based out of India. He has a number of film and TV shows in various stages of development including the TV series "RITZ" with Alan Gasmer ("Vikings"); "Silent Pace" with Jonathan Mostow ("Terminator 3," "Hancock") and "2:18" with Uli Edel (Oscar Nominated for Baader Meinhof). Steele graduated from New York University and has spoken at panels and seminars around the world on film finance and digital distribution.

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Biography from IMDb.

Works as
Producer
Titles
22 on MovieCove · 28 credits in all

What are Jim Steele's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 8 · Dark 11

A split, not a type: Grounded 13 · Stylized 7 · Heightened 2

A split, not a type: Gentle 1 · Charged 10 · Intense 11

Steady 4 · Shifting 14 · Whiplash 4

Straight-faced 13 · Some laughs 7 · Funny 2

Slow burn 2 · Even-paced 18 · Relentless 2

Casual 8 · Engaged 12 · Full focus 2

A split, not a type: Easy watch 10 · Affecting 7 · Heavy 5

A split, not a type: Resolved 13 · Open-ended 7 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Dread
10
Thrilling
8
Absurd
7
Melancholic
2
Other
11

How their films end · 9 with a twist

  • Happy4
  • Bittersweet12
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Steele's films?

As of October 24, 2026, 19 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Subscription and free streaming for Jim Steele's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 22 with a MovieCove page.

  • California Schemin'(2025)

    Producer

    Midcredits score: 71st percentile of all films
  • Empire V (not in the MovieCove catalog yet)(2023)

    Producer

  • God Is a Bullet(2023)

    Producer

    Midcredits score: 38th percentile of all films
  • Blackout(2022)

    Producer

    Midcredits score: 3rd percentile of all films
  • The Good Neighbor(2022)

    Producer

    Midcredits score: 63rd percentile of all films
  • Cut Throat City(2020)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • Midcredits score: 17th percentile of all films
  • American Nightmares(2018)

    Producer

    Midcredits score: 11th percentile of all films
  • Tales from the Hood 2(2018)

    Producer

    Midcredits score: 8th percentile of all films
  • Office Uprising(2018)

    Producer

    Midcredits score: 53rd percentile of all films
  • Nostalgia(2018)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • Female Fight Squad(2016)

    Producer

    Midcredits score: 14th percentile of all films
  • Blackway(2015)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • Chocolate City(2015)

    Producer

    Midcredits score: 17th percentile of all films
  • Apartment 1303 3D(2012)

    Executive Producer

    Midcredits score: 1st percentile of all films
  • Generation P(2011)

    Producer

    Midcredits score: 72nd percentile of all films
  • The It Girl (not in the MovieCove catalog yet)(2009)

    Art Direction

  • Where the Boys Aren't 17 (not in the MovieCove catalog yet)(2003)

    Writer

  • Rockland vs. Wolff (not in the MovieCove catalog yet)(1999)

    Cinematographer

  • Facade(1999)

    Producer

    Midcredits score: 10th percentile of all films
  • The Arrival(1996)

    Producer

    Midcredits score: 48th percentile of all films
  • The Substitute(1996)

    Producer

    Midcredits score: 43rd percentile of all films
  • Love and a .45(1994)

    Producer

    Midcredits score: 44th percentile of all films
  • The Crew(1994)

    Producer

    Midcredits score: 10th percentile of all films
  • Posse(1993)

    Producer

    Midcredits score: 33rd percentile of all films
  • The Restless Garden (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • Back in the U.S.S.R.(1992)

    Producer

    Midcredits score: 8th percentile of all films
  • The Angel Makers (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 18 titles, 17 of them dated from 1993 to 2023.

By role

only this rolewith another role
Writing1 of 18: 1 only writing, 0 with another roleProducing15 of 18: 15 only producing, 0 with another role · typical Midcredits score19thCinematography1 of 18: 1 only cinematography, 0 with another roleOther crew1 of 18: 1 only other crew, 0 with another role

By decade

1990s5 · crew2000s2 · crew2010s7 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jim Steele's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 22; across their 22 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 22

Approval · how many liked their films

19thpercentile
Typical film, the median of 22

Reach · how many have seen their films

78thpercentile
Typical film, the median of 22

Midcredits score across 22 titles, by percentile

  • 50th to 74th4
  • 25th to 49th6
  • Below 25th12

Shape of the crowd

11 of their 22 titles are Mixed.

  • Universally Loved1
  • Universally Panned2
  • Divisive1
  • Crowd Pleaser3
  • Broadly Agreed4
  • Mixed11

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jim Steele's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles66–89 · median 83 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles29–58 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity8 titles64–91 · median 74 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles35–88 · median 60 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles50–79 · median 56 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jim Steele work with?

People who share at least 2 of Jim Steele's MovieCove titles, grouped by what they did on them; Michael Mendelsohn shares the most, 7.

Directors

Writers

Actors

Editors

Producers