Peter Steinfeld
- Writer
- 5 on MovieCove
Known for
What are Peter Steinfeld's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 3
Light 3 · Serious 2 · Dark 0
A split, not a type: Grounded 4 · Stylized 0 · Heightened 1
Gentle 2 · Charged 2 · Intense 1
Steady 4 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 3
Slow burn 0 · Even-paced 4 · Relentless 1
Casual 3 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 0 · Heavy 0
A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter Steinfeld's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Peter Steinfeld's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
21(2008)
Midcredits score: 72nd percentile of all films
Be Cool(2005)
Midcredits score: 28th percentile of all films
Analyze That(2002)
Midcredits score: 32nd percentile of all films
Drowning Mona(2000)
Midcredits score: 31st percentile of all films
Echo(1997)
Midcredits score: 19th percentile of all films
Career shape
Across their 5 MovieCove titles from 1997 to 2008.
How do Peter Steinfeld's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 50th to 74th1
- 25th to 49th3
- Below 25th1
Shape of the crowd
3 of their 5 titles are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 55/100 and the plot and story 38/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Peter Steinfeld's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Peter Steinfeld work with?
People who share at least 2 of Peter Steinfeld's MovieCove titles, grouped by what they did on them; Danny DeVito shares the most, 2.
Producers
- Danny DeVitoShared titles: Be Cool (2005), Drowning Mona (2000)See all 2 shared titles with Danny DeVito
- Michael ShambergShared titles: Be Cool (2005), Drowning Mona (2000)See all 2 shared titles with Michael Shamberg
- Stacey SherShared titles: Be Cool (2005), Drowning Mona (2000)See all 2 shared titles with Stacey Sher
