
Karel Štěpánek
Actor · Died December 25, 1980, aged 81 · Brünn, Moravia, Austria-Hungary [now Brno, Czech Republic]
Though born in Czechoslovakia, actor Karel Stepanek was generally regarded as a German actor due to his extensive film work in Germany (as Karl Stepanek) in the years before World War II. Stepanek fled to England in 1940, where, like many European refugee actors, he specialized in portraying Teutonic villains. He tried to stay away from out-and-out Nazi roles, but his predilection for wearing black uniforms and barking out guttural commands left little doubt as to the political preferences of Stepanek's screen characters. One of his most typical characterizations could be found in the 1946 POW drama, The Captive Heart; Stepanek also registered well as a friendlier foreigner in The Fallen Idol (1949). Commuting between London and Hollywood, Karel Stepanek continued to fight World War II, usually on the wrong side, into such '60s films as Sink the Bismarck! (1960), I Aim at the Stars (1960) and Operation Crossbow (1965).
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Biography from TMDB.
- October 27, 1899
- December 25, 1980 (aged 81)
- Brünn, Moravia, Austria-Hungary [now Brno, Czech Republic]
- Actor
- 28 on MovieCove · 75 credits in all
What are Karel Štěpánek's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 16
Light 5 · Serious 6 · Dark 5
Grounded 11 · Stylized 5 · Heightened 0
Gentle 3 · Charged 9 · Intense 4
Steady 8 · Shifting 8 · Whiplash 0
Straight-faced 11 · Some laughs 4 · Funny 1
A split, not a type: Slow burn 8 · Even-paced 6 · Relentless 2
Casual 5 · Engaged 10 · Full focus 1
Easy watch 7 · Affecting 7 · Heavy 2
Resolved 13 · Open-ended 2 · Ambiguous 1
Roles they play
Usually the Shadow: 4 of 5 analyzed roles.
- Shadowas Seitz in Tomorrow We Live (1942)
- Shadowas Dwight Trevor in City Beneath the Sea (1953)
- Shadowas Commissar in Never Let Me Go (1953)
- Shadowas Admiral Günther Lutjens in Sink the Bismarck! (1960)
- Threshold guardianas Lubeck in The Frozen Dead (1966)
Moods and endings
- Happy7
- Bittersweet6
- Tragic2
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Karel Štěpánek's films?
As of October 24, 2026, 11 of their 28 MovieCove titles stream on a subscription or free service, most on Tubi (6).
- BFI Player, show their 2 titles on BFI Player
- Shout! TV, show their 2 titles on Shout! TV
- Cohen Media Channel, show their title on Cohen Media Channel
- IndieFlix, show their title on IndieFlix
- Lionsgate+, show their title on Lionsgate+
- Midnight Pulp, show their title on Midnight Pulp
- ScreenPix, show their title on ScreenPix
Subscription and free streaming for Karel Štěpánek's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
75 credits, 28 with a MovieCove page.

The Heroes of Telemark: Location report from Norway (not in the MovieCove catalog yet)(2003)

The Games(1970)
Midcredits score: 54th percentile of all films
Midcredits score: 24th percentile of all films
Before Winter Comes (not in the MovieCove catalog yet)(1969)

Murderers Club of Brooklyn (not in the MovieCove catalog yet)(1967)

The Frozen Dead(1966)
Midcredits score: 15th percentile of all films
Sperrbezirk (not in the MovieCove catalog yet)(1966)

The Heroes of Telemark(1965)
Midcredits score: 65th percentile of all films
Licensed to Kill (not in the MovieCove catalog yet)(1965)

Operation Crossbow(1965)
Midcredits score: 68th percentile of all films
Devil Doll(1964)
Midcredits score: 14th percentile of all filmsAufstand der Gehorsamen (not in the MovieCove catalog yet)(1963)

Das Kriminalmuseum (not in the MovieCove catalog yet)(1963)

Brainwashed(1960)
Midcredits score: 75th percentile of all films
I Aim at the Stars(1960)
Midcredits score: 41st percentile of all films
Sink the Bismarck!(1960)
Midcredits score: 86th percentile of all films
Our Man in Havana(1959)
Midcredits score: 85th percentile of all films
No Hiding Place (not in the MovieCove catalog yet)(1959)

Operation Amsterdam(1959)
Midcredits score: 57th percentile of all filmsOverseas Press Club - Exclusive! (not in the MovieCove catalog yet)(1957)

The Accursed(1957)
Midcredits score: 30th percentile of all films
West of Suez (not in the MovieCove catalog yet)(1957)

Anastasia(1956)
Midcredits score: 79th percentile of all films
Armchair Theatre (not in the MovieCove catalog yet)(1956)

The Man in the Road (not in the MovieCove catalog yet)(1956)

Man of the Moment(1955)
Midcredits score: 54th percentile of all films
The Cockleshell Heroes(1955)
Midcredits score: 63rd percentile of all films
Secret Venture (not in the MovieCove catalog yet)(1955)

A Prize of Gold(1955)
Midcredits score: 32nd percentile of all films
Dangerous Cargo (not in the MovieCove catalog yet)(1954)

Tale of Three Women (not in the MovieCove catalog yet)(1954)

City Beneath the Sea(1953)
Midcredits score: 20th percentile of all films
Rough Shoot (not in the MovieCove catalog yet)(1953)

Never Let Me Go(1953)
Midcredits score: 50th percentile of all films
Affair in Trinidad(1952)
Midcredits score: 66th percentile of all films
Walk East on Beacon (not in the MovieCove catalog yet)(1952)

No Highway in the Sky(1951)
Midcredits score: 85th percentile of all films
The Third Visitor (not in the MovieCove catalog yet)(1951)

The Great Manhunt(1950)
Midcredits score: 79th percentile of all films
Cairo Road (not in the MovieCove catalog yet)(1950)

Golden Arrow (not in the MovieCove catalog yet)(1949)

Give Us This Day(1949)
Midcredits score: 80th percentile of all films
The Third Man(1949)
Midcredits score: 98th percentile of all films
Conspirator(1949)
Midcredits score: 41st percentile of all films
The Fallen Idol(1948)
Midcredits score: 94th percentile of all films
Counterblast (not in the MovieCove catalog yet)(1948)

Broken Journey (not in the MovieCove catalog yet)(1948)

The Captive Heart (not in the MovieCove catalog yet)(1946)

Escape to Danger (not in the MovieCove catalog yet)(1943)

They Met in the Dark (not in the MovieCove catalog yet)(1943)

Tomorrow We Live(1942)
Midcredits score: 43rd percentile of all films
Secret Mission(1942)
Midcredits score: 19th percentile of all films
Our Film (not in the MovieCove catalog yet)(1942)

Alles Schwindel (not in the MovieCove catalog yet)(1940)

Drei Väter um Anna(1939)

The Leghorn Hat (not in the MovieCove catalog yet)(1939)

Hotel Sacher (not in the MovieCove catalog yet)(1939)

Another Experience (not in the MovieCove catalog yet)(1939)

War es der im 3. Stock? (not in the MovieCove catalog yet)(1939)

Narren im Schnee (not in the MovieCove catalog yet)(1938)
Klatovští dragouni (not in the MovieCove catalog yet)(1938)

The Bat (not in the MovieCove catalog yet)(1937)

The Unknown (not in the MovieCove catalog yet)(1936)

Stronger Than Paragraphs (not in the MovieCove catalog yet)(1936)

Der Außenseiter (not in the MovieCove catalog yet)(1935)

The Grey Pikes Wharf (not in the MovieCove catalog yet)(1935)

Pozdní láska (not in the MovieCove catalog yet)(1935)

Na růžích ustláno (not in the MovieCove catalog yet)(1935)
Hermine and the Seven Upright Men (not in the MovieCove catalog yet)(1935)

Waltz War (not in the MovieCove catalog yet)(1933)

A Song for You (not in the MovieCove catalog yet)(1933)

Spione im Savoy-Hotel (not in the MovieCove catalog yet)(1932)

Five from the Jazzband (not in the MovieCove catalog yet)(1932)

Here's Berlin (not in the MovieCove catalog yet)(1932)

Berlin-Alexanderplatz: The Story of Franz Biberkopf (not in the MovieCove catalog yet)(1931)
Career shape
Star power in the 90th percentile of 239,109 people with a billed film role, over a full career of 75 titles from 1931 to 2003; peak year 1966.

Biggest box office
The Fallen Idol (1948)

Highest rated
The Fallen Idol (1948)

Most popular right now
Sink the Bismarck! (1960)
Film career
Peak 1966 · at the high point of their film career. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1946Screen debut· The Captive Heart
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Karel Štěpánek's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of the 27 of 28 with a score; across their 16 films with reception data, the typical film sits in the 45th percentile for acclaim.
- 75th and up9
- 50th to 74th8
- 25th to 49th5
- Below 25th5
Shape of the crowd
14 of their 27 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser14
- Broadly Agreed8
- Mixed3
Reviewers score the acting 64/100 in their films, across 15 reviewed titles; fans 74, detractors 39. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Karel Štěpánek work with?
People who share at least 2 of Karel Štěpánek's MovieCove titles, grouped by what they did on them; Herbert Lom shares the most, 3.
Writers
- George FroeschelShared titles: I Aim at the Stars (1960), Never Let Me Go (1953)See all 2 shared titles with George Froeschel
- Anatole de GrunwaldShared titles: Secret Mission (1942), Tomorrow We Live (1942)See all 2 shared titles with Anatole de Grunwald

Actors
- Herbert LomShared titles: I Aim at the Stars (1960), The Great Manhunt (1950), Tomorrow We Live (1942)See all 3 shared titles with Herbert Lom

- William SylvesterShared titles: Devil Doll (1964), Give Us This Day (1949)See all 2 shared titles with William Sylvester

- Kenneth MoreShared titles: Sink the Bismarck! (1960), Never Let Me Go (1953)See all 2 shared titles with Kenneth More

- Donald WolfitShared titles: The Accursed (1957), A Prize of Gold (1955)See all 2 shared titles with Donald Wolfit

Composers and cinematographers
- Robert KraskerShared titles: Never Let Me Go (1953), The Great Manhunt (1950)See all 2 shared titles with Robert Krasker

- William AlwynShared titles: The Great Manhunt (1950), The Fallen Idol (1948)See all 2 shared titles with William Alwyn





