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Roberto Sterbini

Editor

Works as
Editor
Titles
12 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 3% in 30 days

What are Roberto Sterbini's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
50%
Morality
30%
Power
12%
Ideas
8%
Survival2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 0 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 1 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
2
Dread
1
Absurd
1
Cold
1

How their films linger

Fun2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roberto Sterbini's films?

As of October 24, 2026, 6 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Roberto Sterbini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 12 with a MovieCove page.

  • The Postman(1994)

    Sound Effects

    Midcredits score: 97th percentile of all films

  • The Great Pumpkin (not in the MovieCove catalog yet)(1993)

    Foley Artist

  • Christmas Vacation '90 (not in the MovieCove catalog yet)(1990)

    Sound Effects

  • Torrents of Spring (not in the MovieCove catalog yet)(1989)

    Sound Effects

  • A Taxi Driver in New York (not in the MovieCove catalog yet)(1987)

    Foley Artist

  • The Last Minute (not in the MovieCove catalog yet)(1987)

    Foley Artist

  • Delirium(1987)

    Sound Effects Editor

    Midcredits score: 31st percentile of all films

  • Ternosecco (not in the MovieCove catalog yet)(1987)

    Foley Artist

  • Super Fantozzi (not in the MovieCove catalog yet)(1986)

    Sound Effects

  • Christmas Present (not in the MovieCove catalog yet)(1986)

    Foley Artist

  • Hands of Steel(1986)

    Sound Effects

    Midcredits score: 23rd percentile of all films

  • A me mi piace (not in the MovieCove catalog yet)(1985)

    Foley Artist

  • Sue Me (not in the MovieCove catalog yet)(1985)

    Foley Artist

  • Devil Fish(1984)

    Editor

    Midcredits score: 1st percentile of all films

  • Blastfighter (not in the MovieCove catalog yet)(1984)

    Editor

  • Il tassinaro (not in the MovieCove catalog yet)(1983)

    Sound Effects

  • Madly in Love(1981)

    Assistant Editor

    Midcredits score: 80th percentile of all films

  • I'm Starting from Three (not in the MovieCove catalog yet)(1981)

    Assistant Editor

  • Il casinista (not in the MovieCove catalog yet)(1980)

    Assistant Editor

  • Rag. Arturo De Fanti bancario-precario(1980)

    Assistant Editor

    Midcredits score: 30th percentile of all films

  • Velvet Hands (not in the MovieCove catalog yet)(1979)

    Assistant Editor

  • Killer Fish(1979)

    Editor

    Midcredits score: 4th percentile of all films

  • The Squeeze (not in the MovieCove catalog yet)(1978)

    Editor

  • Sweetheart (not in the MovieCove catalog yet)(1977)

    Assistant Editor

  • Shock(1977)

    Editor

    Midcredits score: 53rd percentile of all films

  • Death Rage(1976)

    Assistant Editor

    Midcredits score: 21st percentile of all films

  • Soldier of Fortune(1976)

    Assistant Editor

    Midcredits score: 57th percentile of all films

  • Savage Man Savage Beast (not in the MovieCove catalog yet)(1975)

    Assistant Editor

  • Zorro(1975)

    Assistant Editor

    Midcredits score: 59th percentile of all films

  • Puzzle(1974)

    Assistant Editor

    Midcredits score: 50th percentile of all films

Career shape

A full career of 30 titles from 1974 to 1994.

Highest rated

Shock (1977)

Midcredits 53rd

Most popular right now

Killer Fish (1979)

By role

only this rolewith another role
Editing5 of 30: 5 only editing, 0 with another roleOther crew25 of 30: 25 only other crew, 0 with another role · typical Midcredits score50th

By decade

1970s10 · crew1980s17 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Roberto Sterbini's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 12; across a limited sample of 3 films with reception data, the typical film sits in the 8th percentile for acclaim.

Acclaim · how much people like their films

8thpercentile
Typical film, the median of 3

Approval · how many liked their films

3rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

75thpercentile
Typical film, the median of 3

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th4

Shape of the crowd

4 of their 12 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed4

Most divisive · editor

Devil Fish (1984)

71st percentile spread · 77% rated it 4 or lower

Most loved · editor

Shock (1977)

Midcredits 53rd · 48% liked

Reviewers score the pacing 33/100 in their films, across 3 reviewed titles; fans 47, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Roberto Sterbini work with?

People who share at least 2 of Roberto Sterbini's MovieCove titles, grouped by what they did on them; Lamberto Bava shares the most, 2.

Directors

Writers

Cinematographers

Producers