
Philip Sterling
Actor · Died November 30, 1998, aged 76 · New York City, New York, USA
Philip Sterling made his Broadway debut in 1955 in the Cole Porter musical ''Silk Stockings.'' His most prominent role on Broadway was that of the adulterous father in Neil Simon's 1986 comedy ''Broadway Bound.'' He also appeared in Ron Cowen's ''Summertree'' and in Gore Vidal's ''An Evening With Richard Nixon and . . .'' playing Dwight D. Eisenhower to George S. Irving's Richard Nixon. Off Broadway, he appeared in ''Brecht on Brecht,'' ''In the Matter of J. Robert Oppenheimer,'' ''The Trojan Women'' and ''Victim of Duty.'' His most recent stage appearance was in ''Out of Purgatory'' at the Old Globe Theater in San Diego. A serious student of music, he also was narrator of several concert works, including Schoenberg's ''Survivor from Warsaw'' with the New York Philharmonic under Pierre Boulez at Lincoln Center. Among his films were ''Backfire,'' ''The Competition,'' ''The Gang That Couldn't Shoot Straight'' and ''Me, Natalie.'' Mr. Sterling began working in television in the days of live comedy and drama, appearing on ''Studio One'' and ''Kraft Television Theater.'' He also acted in ''City of Angels'' and and had recurring roles on ''Sisters'' ''L.A. Law'' and ''St. Elsewhere.'' His guest appearances were many and various, from ''NYPD Blue'' and "Barney Miller" to "Golden Girls" and ''M*A*S*H.'' The son of a Philadelphia lawyer, Mr. Sterling was the first president of the Screen Actors Guild Foundation. A graduate of the University of Pennsylvania and the Wharton School of Business, he started his career as a jazz pianist before turning to acting. He is survived by his wife, Rhona, and daughter, Mila.
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Biography from IMDb.
- October 9, 1922
- November 30, 1998 (aged 76)
- New York City, New York, USA
- Actor
- 48 on MovieCove · 75 credits in all
What are Philip Sterling's films like?
Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 15
Light 3 · Serious 7 · Dark 6
Grounded 14 · Stylized 1 · Heightened 1
Gentle 2 · Charged 7 · Intense 7
Steady 7 · Shifting 8 · Whiplash 1
Straight-faced 12 · Some laughs 3 · Funny 1
Slow burn 5 · Even-paced 11 · Relentless 0
A split, not a type: Casual 6 · Engaged 10 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 6 · Heavy 8
Resolved 11 · Open-ended 4 · Ambiguous 1
Roles they play
- Allyas Sergeant Prill in Born to Be Sold (1981)
- Mentoras Dr. Ronald Pratt in The Death of the Incredible Hulk (1990)
Moods and endings
- Happy6
- Bittersweet8
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Philip Sterling's films?
As of October 24, 2026, 24 of their 48 MovieCove titles stream on a subscription or free service, most on Tubi (12).
- Barney Miller (1975) · actor · free
- The Long Walk Home (1990) · actor · free
- Hester Street (1975) · actor · free
- The A-Team (1983) · actor · free
- Decoy (1957) · actor · free
- Maude (1972) · actor · free
- Audrey Rose (1977) · actor · free
- Growing Pains (1985) · actor · free
- Murder on Flight 502 (1975) · actor · free
- Born to Be Sold (1981) · actor · free
- My Giant (1998) · actor · free
- Meteor (1979) · actor · free
Subscription and free streaming for Philip Sterling's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
75 credits, 48 with a MovieCove page.

My Giant(1998)
Midcredits score: 13th percentile of all films
Caroline in the City(1995)
Midcredits score: 20th percentile of all shows
Murder One(1995)
Midcredits score: 91st percentile of all shows
NYPD Blue(1993)
Midcredits score: 80th percentile of all shows
Sisters (not in the MovieCove catalog yet)(1991)

The Long Walk Home(1990)
Midcredits score: 90th percentile of all films
Midcredits score: 32nd percentile of all films
Midcredits score: 76th percentile of all films
Fatal Judgement(1988)
Midcredits score: 46th percentile of all films (provisional, few ratings)
Nightingales (not in the MovieCove catalog yet)(1988)

Backfire(1987)
Midcredits score: 21st percentile of all films
The Wonder Years(1988)
Midcredits score: 96th percentile of all shows
thirtysomething (not in the MovieCove catalog yet)(1987)
Midcredits score: 42nd percentile of all films
L.A. Law(1986)
Midcredits score: 56th percentile of all shows
Killer in the Mirror(1986)
Midcredits score: 39th percentile of all films
Matlock(1986)
Midcredits score: 58th percentile of all showsVital Signs (not in the MovieCove catalog yet)(1986)
Midcredits score: 38th percentile of all films
Growing Pains(1985)
Midcredits score: 31st percentile of all shows
The Golden Girls(1985)
Midcredits score: 90th percentile of all shows
Movers & Shakers(1985)
Midcredits score: 4th percentile of all films
Tomboy(1985)
Midcredits score: 12th percentile of all films
Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
Night Court(1984)
Midcredits score: 81st percentile of all shows
Midcredits score: 47th percentile of all films
The A-Team(1983)
Midcredits score: 74th percentile of all shows
St. Elsewhere (not in the MovieCove catalog yet)(1982)

Newhart (not in the MovieCove catalog yet)(1982)

Remington Steele(1982)
Midcredits score: 64th percentile of all shows
Family Ties(1982)
Midcredits score: 64th percentile of all shows
Hotel (not in the MovieCove catalog yet)(1982)
Midcredits score: 72nd percentile of all films
The Wall (not in the MovieCove catalog yet)(1982)

Million Dollar Infield(1982)
Midcredits score: 13th percentile of all films (provisional, few ratings)
Simon & Simon (not in the MovieCove catalog yet)(1981)

Born to Be Sold(1981)
Midcredits score: 16th percentile of all films
Magnum, P.I.(1980)
Midcredits score: 75th percentile of all shows
The Competition(1980)
Midcredits score: 69th percentile of all films
This Year's Blonde(1980)
Midcredits score: 57th percentile of all films (provisional, few ratings)
Meteor(1979)
Midcredits score: 12th percentile of all films
Hart to Hart (not in the MovieCove catalog yet)(1979)

The Lazarus Syndrome (not in the MovieCove catalog yet)(1979)

Promises in the Dark(1979)
Midcredits score: 64th percentile of all films
The White Shadow (not in the MovieCove catalog yet)(1978)

A Question of Love(1978)
Midcredits score: 81st percentile of all films
Rainbow (not in the MovieCove catalog yet)(1978)

Diff'rent Strokes (not in the MovieCove catalog yet)(1978)

Dr. Strange(1978)
Midcredits score: 22nd percentile of all films
Dr. Scorpion (not in the MovieCove catalog yet)(1978)

Rafferty (not in the MovieCove catalog yet)(1977)

Audrey Rose(1977)
Midcredits score: 35th percentile of all films
Fish (not in the MovieCove catalog yet)(1977)
Midcredits score: 84th percentile of all films (provisional, few ratings)
City of Angels (not in the MovieCove catalog yet)(1976)

Murder on Flight 502(1975)
Midcredits score: 23rd percentile of all films
Hester Street(1975)
Midcredits score: 80th percentile of all films
Switch (not in the MovieCove catalog yet)(1975)

Barney Miller(1975)
Midcredits score: 93rd percentile of all shows
The Gambler(1974)
Midcredits score: 85th percentile of all films
The Rockford Files(1974)
Midcredits score: 93rd percentile of all shows
Rhoda (not in the MovieCove catalog yet)(1974)

Come Die with Me (not in the MovieCove catalog yet)(1974)

Pueblo (not in the MovieCove catalog yet)(1973)

M*A*S*H(1972)
Midcredits score: 95th percentile of all shows
Maude(1972)
Midcredits score: 59th percentile of all shows
Midcredits score: 14th percentile of all films
Me, Natalie(1969)
Midcredits score: 63rd percentile of all films
Another World (not in the MovieCove catalog yet)(1964)
The Sin of Jesus (not in the MovieCove catalog yet)(1961)

Naked City(1958)
Midcredits score: 82nd percentile of all shows
Decoy(1957)
Midcredits score: 69th percentile of all shows
The Edge of Night (not in the MovieCove catalog yet)(1956)
The Clock (not in the MovieCove catalog yet)(1949)

Suspense (not in the MovieCove catalog yet)(1949)
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 74 titles from 1949 to 1998; peak year 1978.

Biggest box office
The Competition (1980)

Highest rated
The Competition (1980)

Most popular right now
Audrey Rose (1977)
Film career
Peak 1978 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1975Screen debut· Hester Street
- 1990Career best· The Death of the Incredible Hulk
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Philip Sterling's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 28; across their 16 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 75th and up16
- 50th to 74th13
- 25th to 49th8
- Below 25th11
Shape of the crowd
19 of their 48 titles are Crowd Pleasers.
- Universally Loved6
- Universally Panned1
- Cult Classic2
- Crowd Pleaser19
- Broadly Agreed2
- Mixed18
Reviewers score the acting 65/100 in their films, across 11 reviewed titles; fans 75, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Philip Sterling's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Philip Sterling work with?
People who share at least 2 of Philip Sterling's MovieCove titles, grouped by what they did on them; Gilbert Cates shares the most, 2.
Directors
- Gilbert CatesShared titles: Fatal Judgement (1988), Backfire (1987)See all 2 shared titles with Gilbert Cates

Writers
- Frank De FelittaShared titles: Killer in the Mirror (1986), Audrey Rose (1977)See all 2 shared titles with Frank De Felitta

- Joel OlianskyShared titles: The Competition (1980), Mallory: Circumstantial Evidence (1976)See all 2 shared titles with Joel Oliansky

Actors
- Patty DukeShared titles: Fatal Judgement (1988), Me, Natalie (1969)See all 2 shared titles with Patty Duke

- Jessica WalterShared titles: Killer in the Mirror (1986), Dr. Strange (1978)See all 2 shared titles with Jessica Walter

- Lynda CarterShared titles: Rita Hayworth: The Love Goddess (1983), Born to Be Sold (1981)See all 2 shared titles with Lynda Carter

- Michael LernerShared titles: Rita Hayworth: The Love Goddess (1983), This Year's Blonde (1980)See all 2 shared titles with Michael Lerner

Composers and editors
- Melvin ShapiroShared titles: Fatal Judgement (1988), Backfire (1987)See all 2 shared titles with Melvin Shapiro
- Gil MelléShared titles: Circle of Violence: A Family Drama (1986), Killer in the Mirror (1986)See all 2 shared titles with Gil Mellé
- Lalo SchifrinShared titles: Rita Hayworth: The Love Goddess (1983), The Competition (1980)See all 2 shared titles with Lalo Schifrin

Producers
- William SackheimShared titles: The Competition (1980), Mallory: Circumstantial Evidence (1976)See all 2 shared titles with William Sackheim



