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Matthew Stillman

Producer · Born September 28, 1967 (59) · London, England, UK

Primetime Emmy nominee

Matthew Stillman was born on 28 September 1967 in London, England, UK. He is a producer and production manager, known for Snowpiercer (2013), Alien vs. Predator (2004) and G.I. Joe: The Rise of Cobra (2009).

Biography from IMDb.

Born
September 28, 1967 (59)
From
London, England, UK
Works as
Producer
Titles
47 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 34% in 30 days

What are Matthew Stillman's films like?

Across their 40 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Action16 titlesTypical Midcredits score: 52nd percentile
: browse their Action movies
Drama7 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Drama movies
Adventure4 titlesTypical Midcredits score: 38th percentile
: browse their Adventure movies
Comedy4 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Comedy movies
Biography2 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Morality
24%
Power
21%
Survival
13%
Self
10%
Society
2%
Ideas
2%
Survival8 titles, browse their movies with this themeRomantic love8 titles, browse their movies with this themeFriendship7 titles, browse their movies with this themeOppression7 titles, browse their movies with this themeFamily bonds7 titles, browse their movies with this themeJustice7 titles, browse their movies with this themeBetrayal5 titles, browse their movies with this themeClass4 titles, browse their movies with this theme

What they feel like to watch

their average across 37 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 11 · Serious 8 · Dark 18

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 15 · Heightened 11

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 12 · Intense 24

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 22 · Whiplash 5

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 22 · Some laughs 10 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 20 · Relentless 10

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 26 · Full focus 4

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 12 · Affecting 13 · Heavy 12

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 27 · Open-ended 9 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
27
Thrilling
17
Dread
11
Melancholic
12
Hopeful
11
Other
32

How their films linger

Fun13 titles, browse their movies with this aftertasteHopeful16 titles, browse their movies with this aftertasteBittersweet14 titles, browse their movies with this aftertasteThought-provoking11 titles, browse their movies with this aftertasteRousing7 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertaste

How their films end · 11 with a twist

  • Happy9
  • Bittersweet22
  • Tragic3
  • Ambiguous5
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Matthew Stillman's films?

As of October 24, 2026, 37 of their 47 MovieCove titles stream on a subscription or free service, most on Prime Video (9).

Also on these channels

Subscription and free streaming for Matthew Stillman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

47 credits, 47 with a MovieCove page.

  • Ride or Die(2026)

    Show 8 episodes · Co-Executive Producer

    Midcredits score: 73rd percentile of all shows

  • The Optimist: The Bravest Act Is Truth(2023)

    Co-Producer

    Midcredits score: 78th percentile of all films

  • Resident Evil(2026)

    Producer

    Midcredits score: 94th percentile of all films

  • Sunny Dancer(2026)

    Producer

    Midcredits score: 83rd percentile of all films

  • Nosferatu(2024)

    Co-Producer

    Midcredits score: 82nd percentile of all films

  • Spaceman(2024)

    Co-Producer

    Midcredits score: 44th percentile of all films

  • White Bird(2023)

    Co-Producer

    Midcredits score: 91st percentile of all films

  • A Small Light(2023)

    Show 8 episodes · Co-Executive Producer

    Midcredits score: 96th percentile of all shows

  • Chevalier(2022)

    Co-Producer

    Midcredits score: 66th percentile of all films

  • Interview with the Vampire(2022)

    Show 8 episodes · Co-Producer

    Midcredits score: 78th percentile of all shows

  • The Gray Man(2022)

    Co-Producer

    Midcredits score: 62nd percentile of all films

  • Flowers in the Attic: The Origin(2022)

    Show Producer

    Midcredits score: 65th percentile of all shows

  • Oslo(2021)

    Co-Executive Producer

    Midcredits score: 66th percentile of all films

  • Voyagers(2021)

    Co-Producer

    Midcredits score: 25th percentile of all films

  • Human Capital(2019)

    Producer

    Midcredits score: 41st percentile of all films

  • Ophelia(2018)

    Co-Producer

    Midcredits score: 70th percentile of all films

  • Spider-Man: Far from Home(2019)

    Co-Producer

    Midcredits score: 89th percentile of all films

  • Interlude in Prague(2017)

    Co-Producer

    Midcredits score: 54th percentile of all films

  • Genius(2017)

    Show 10 episodes · Co-Producer

    Midcredits score: 91st percentile of all shows

  • Underworld: Blood Wars(2016)

    Co-Producer

    Midcredits score: 32nd percentile of all films

  • Child 44(2015)

    Producer

    Midcredits score: 55th percentile of all films

  • Sons of Liberty(2015)

    Show Producer

    Midcredits score: 68th percentile of all shows

  • Snowpiercer(2013)

    Co-Producer

    Midcredits score: 85th percentile of all films

  • Missing(2012)

    Show Producer

    Midcredits score: 43rd percentile of all shows

  • Mission: Impossible - Ghost Protocol(2011)

    Co-Producer

    Midcredits score: 93rd percentile of all films

  • The Chronicles of Narnia: Prince Caspian(2008)

    Associate Producer

    Midcredits score: 67th percentile of all films

  • The End of Poverty?(2008)

    Producer

    Midcredits score: 86th percentile of all films

  • Wanted(2008)

    Producer

    Midcredits score: 68th percentile of all films

  • The Illusionist(2006)

    Co-Producer

    Midcredits score: 93rd percentile of all films

  • Tristan + Isolde(2006)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • Last Holiday(2006)

    Associate Producer

    Midcredits score: 73rd percentile of all films

  • Casino Royale(2006)

    Producer

    Midcredits score: 98th percentile of all films

  • The Chronicles of Narnia: The Lion, the Witch and the Wardrobe(2005)

    Producer

    Midcredits score: 83rd percentile of all films

  • Doom(2005)

    Co-Producer

    Midcredits score: 15th percentile of all films

  • Everything Is Illuminated(2005)

    Executive Producer

    Midcredits score: 90th percentile of all films

  • Alien vs. Predator(2004)

    Co-Producer

    Midcredits score: 31st percentile of all films

  • Van Helsing(2004)

    Associate Producer

    Midcredits score: 47th percentile of all films

  • EuroTrip(2004)

    Associate Producer

    Midcredits score: 66th percentile of all films

  • The Prince and Me(2004)

    Producer

    Midcredits score: 41st percentile of all films

  • Shanghai Knights(2003)

    Producer

    Midcredits score: 48th percentile of all films

  • xXx(2002)

    Associate Producer

    Midcredits score: 36th percentile of all films

  • The Bourne Identity(2002)

    Associate Producer

    Midcredits score: 97th percentile of all films

  • Bad Company(2002)

    Associate Producer

    Midcredits score: 22nd percentile of all films

  • Dungeons & Dragons(2000)

    Co-Producer

    Midcredits score: 2nd percentile of all films

  • Plunkett & Macleane(1999)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Passion's Way(1999)

    Producer

    Midcredits score: 26th percentile of all films

  • Into Thin Air: Death on Everest(1997)

    Co-Producer

    Midcredits score: 31st percentile of all films

Career shape

A full career of 35 titles from 1997 to 2026.

Biggest box office

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

$745M worldwide

Highest rated

Casino Royale (2006)

Midcredits 98th

Most popular right now

Resident Evil (2026)

By role

only this rolewith another role
Producing35 of 35: 35 only producing, 0 with another role · typical Midcredits score67th

By decade

1990s2 · crew2000s14 · crew2010s7 · crew2020s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for a Primetime Emmy in 2021, Outstanding Television Movie.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Matthew Stillman's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 40; across their 37 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 37

Approval · how many liked their films

63rdpercentile
Typical film, the median of 37

Reach · how many have seen their films

95thpercentile
Typical film, the median of 37

Midcredits score across 47 titles, by percentile

  • 75th and up17
  • 50th to 74th15
  • 25th to 49th12
  • Below 25th3

Shape of the crowd

23 of their 47 titles are Crowd Pleasers.

  • Universally Loved9
  • Universally Panned1
  • Crowd Pleaser23
  • Broadly Agreed3
  • Mixed11

Most divisive · producer

The Optimist: The Bravest Act Is Truth (2023)

80th percentile spread · 15% rated it 4 or lower

Most loved · producer

Casino Royale (2006)

Midcredits 98th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Matthew Stillman's work okay for kids?

Across up to 30 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore25 titles35–90 · median 62 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity30 titles8–55 · median 35 · moderatenear the median of all filmsMedian of all films: 32
Profanity27 titles9–76 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs24 titles8–49 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense24 titles30–81 · median 57 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Matthew Stillman work with?

People who share at least 2 of Matthew Stillman's MovieCove titles, grouped by what they did on them; David Minkowski shares the most, 36.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles