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Joseph Stinson

Writer

TMDB popularity, last 39 days to Oct 28Up 7% in 30 days

What are Joseph Stinson's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 0 · Some laughs 4 · Funny 0

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Absurd
2
Melancholic
2
Thrilling
1
Triumphant
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joseph Stinson's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Joseph Stinson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Heartbreak Ridge(1986)

    Screenplay

    Midcredits score: 73rd percentile of all films
  • Stick(1985)

    Screenplay

    Midcredits score: 26th percentile of all films
  • City Heat(1984)

    Screenplay

    Midcredits score: 21st percentile of all films
  • Sudden Impact(1983)

    Screenplay

    Midcredits score: 65th percentile of all films

Career shape

A full career of 4 titles from 1983 to 1986.

By role

only this rolewith another role
Writing4 of 4: 4 only writing, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Joseph Stinson's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 4

Approval · how many liked their films

46thpercentile
Typical film, the median of 4

Reach · how many have seen their films

89thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Reviewers score the dialogue 59/100 and the plot and story 36/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joseph Stinson work with?

People who share at least 2 of Joseph Stinson's MovieCove titles, grouped by what they did on them; Clint Eastwood shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers