- Producer and writer
- 3 on MovieCove
What are Marc Stirdivant's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 2 · Serious 0 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 0
A split, not a type: Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marc Stirdivant's films?
As of October 24, 2026, none of Marc Stirdivant's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Marc Stirdivant's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Without a Clue(1988)
Midcredits score: 78th percentile of all films
Night Crossing(1982)
Midcredits score: 62nd percentile of all films
Condorman(1981)
Midcredits score: 36th percentile of all films
Career shape
A full career of 2 titles from 1981 to 1988.
How do Marc Stirdivant's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Reviewers score the dialogue 52/100 and the plot and story 53/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marc Stirdivant work with?
People who share at least 2 of Marc Stirdivant's MovieCove titles, grouped by what they did on them; Henry Mancini shares the most, 2.
Composers and editors
- Henry ManciniShared titles: Without a Clue (1988), Condorman (1981)See all 2 shared titles with Henry Mancini
- Gordon D. BrennerShared titles: Night Crossing (1982), Condorman (1981)See all 2 shared titles with Gordon D. Brenner
Producers
- Ron MillerShared titles: Night Crossing (1982), Condorman (1981)See all 2 shared titles with Ron Miller
