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Lee Stollman

Lee Stollman

Producer

Works as
Producer
Titles
11 on MovieCove · 14 credits in all
TMDB popularity, last 156 days to Oct 27Down 13% in 30 days

What are Lee Stollman's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 2 · Dark 3

A split, not a type: Grounded 5 · Stylized 4 · Heightened 0

A split, not a type: Gentle 2 · Charged 3 · Intense 4

Steady 3 · Shifting 6 · Whiplash 0

Straight-faced 6 · Some laughs 3 · Funny 0

Slow burn 3 · Even-paced 4 · Relentless 2

Casual 4 · Engaged 4 · Full focus 1

Resolved 7 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Warm
3
Thrilling
4
Melancholic
5
Joyful
2
Other
6

How their films end · 2 with a twist

  • Happy1
  • Bittersweet6
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lee Stollman's films?

As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Lee Stollman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a MovieCove page.

  • The Julia Set(2026)

    Producer

    Midcredits score: 80th percentile of all films
  • Hollywood Stargirl(2022)

    Producer

    Midcredits score: 44th percentile of all films
  • All Together Now(2020)

    Producer

    Midcredits score: 68th percentile of all films
  • Stargirl(2020)

    Producer

    Midcredits score: 56th percentile of all films
  • Midcredits score: 61st percentile of all films
  • Midcredits score: 57th percentile of all films
  • The Maze Runner(2014)

    Producer

    Midcredits score: 79th percentile of all films
  • Life of Crime(2013)

    Producer

    Midcredits score: 33rd percentile of all films
  • Abduction(2011)

    Producer

    Midcredits score: 18th percentile of all films
  • Good Will Hunting(1997)

    Thanks

    Midcredits score: 99th percentile of all films
  • Pulp Fiction(1994)

    Thanks

    Midcredits score: 99th percentile of all films
  • 29 Dates (not in the MovieCove catalog yet)

    Producer

  • Epiphany (not in the MovieCove catalog yet)

    Producer

  • Untitled Maze Runner Reboot (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 14 titles, 11 of them dated from 1994 to 2026.

By role

only this rolewith another role
Producing12 of 14: 12 only producing, 0 with another role · typical Midcredits score57thOther crew2 of 14: 2 only other crew, 0 with another role

By decade

1990s2 · crew2010s5 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lee Stollman's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 11; across their 9 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 9

Approval · how many liked their films

54thpercentile
Typical film, the median of 9

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

5 of their 11 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lee Stollman's work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films and sex & nudity and alcohol & drugs lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles24–68 · median 59 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity6 titles7–39 · median 20 · mildlighter than most filmsMedian of all films: 32
Profanity6 titles25–57 · median 44 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles10–34 · median 23 · mildlighter than most filmsMedian of all films: 33
Frightening / Intense5 titles35–74 · median 64 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lee Stollman work with?

People who share at least 2 of Lee Stollman's MovieCove titles, grouped by what they did on them; Ellen Goldsmith-Vein shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers