Frank Strangio
- Composer
- 7 on MovieCove · 21 credits in all
What are Frank Strangio's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
Light 3 · Serious 3 · Dark 1
Grounded 3 · Stylized 3 · Heightened 1
A split, not a type: Gentle 3 · Charged 2 · Intense 2
Steady 5 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 3 · Funny 0
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 3 · Affecting 4 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Frank Strangio's films?
As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Frank Strangio's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 7 with a MovieCove page.
Squids (not in the MovieCove catalog yet)(2026)
The Dragon Pearl(2011)
Midcredits score: 17th percentile of all films
Under a Red Moon (not in the MovieCove catalog yet)(2008)
Elephant Tales(2006)
Midcredits score: 17th percentile of all films
Paradise Found(2003)
Midcredits score: 39th percentile of all films
Dalkeith (not in the MovieCove catalog yet)(2001)
Young Blades (not in the MovieCove catalog yet)(2001)
Muggers (not in the MovieCove catalog yet)(2000)
100 Years of Australian Football (not in the MovieCove catalog yet)(1996)
Under the Gun (not in the MovieCove catalog yet)(1995)
Sex Is a Four Letter Word (not in the MovieCove catalog yet)(1995)
Bony (not in the MovieCove catalog yet)(1992)
A Kink in the Picasso (not in the MovieCove catalog yet)(1990)
Bony (not in the MovieCove catalog yet)(1990)
Fever (not in the MovieCove catalog yet)(1988)
The Dreaming(1988)
Midcredits score: 19th percentile of all films
Coda(1987)
Midcredits score: 14th percentile of all films
Dead End Drive-In(1986)
Midcredits score: 41st percentile of all films
The Blue Lightning (not in the MovieCove catalog yet)(1986)
BMX Bandits(1983)
Midcredits score: 30th percentile of all films
Dusty (not in the MovieCove catalog yet)(1983)
Career shape
A full career of 20 titles from 1983 to 2026.
Biggest box office
The Dragon Pearl (2011)
Highest rated
Dead End Drive-In (1986)
Most popular right now
BMX Bandits (1983)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Frank Strangio's films land?
Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 29th percentile for acclaim.
- 25th to 49th3
- Below 25th4
Shape of the crowd
7 of their 7 titles are Mixed.
- Mixed7
Reviewers score the sound and music 52/100 in their films, across 6 reviewed titles; fans 63, detractors 33. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Frank Strangio work with?
People who share at least 2 of Frank Strangio's MovieCove titles, grouped by what they did on them; Mario Andreacchio shares the most, 4.
Directors
- Mario AndreacchioShared titles: The Dragon Pearl (2011), Elephant Tales (2006), Paradise Found (2003), The Dreaming (1988)See all 4 shared titles with Mario Andreacchio
- Brian Trenchard-SmithShared titles: Dead End Drive-In (1986), BMX Bandits (1983)See all 2 shared titles with Brian Trenchard-Smith
Writers
- Craig LahiffShared titles: The Dreaming (1988), Coda (1987)See all 2 shared titles with Craig Lahiff
- Terry JenningsShared titles: The Dreaming (1988), Coda (1987)See all 2 shared titles with Terry Jennings
Actors
- Patrick FrostShared titles: The Dreaming (1988), Coda (1987)See all 2 shared titles with Patrick Frost
- Penny CookShared titles: The Dreaming (1988), Coda (1987)See all 2 shared titles with Penny Cook
Cinematographers and editors
- Suresh AyyarShared titles: The Dragon Pearl (2011), Elephant Tales (2006), The Dreaming (1988)See all 3 shared titles with Suresh Ayyar
- Geoffrey SimpsonShared titles: The Dragon Pearl (2011), Paradise Found (2003)See all 2 shared titles with Geoffrey Simpson
- David ForemanShared titles: The Dreaming (1988), Coda (1987)See all 2 shared titles with David Foreman
- Alan LakeShared titles: Dead End Drive-In (1986), BMX Bandits (1983)See all 2 shared titles with Alan Lake
Producers
- Georges CampanaShared titles: Elephant Tales (2006), Paradise Found (2003)See all 2 shared titles with Georges Campana
- Tom BroadbridgeShared titles: Coda (1987), BMX Bandits (1983)See all 2 shared titles with Tom Broadbridge
Mixed roles
- John WildShared titles: The Dragon Pearl (2011), Elephant Tales (2006)See all 2 shared titles with John Wild