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Greg Strangis

Producer and writer

Works as
Producer and writer
Titles
9 on MovieCove · 13 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 9% in 30 days

What are Greg Strangis' films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
32%
Morality
20%
Self
18%
Society
11%
Power
7%
Ideas
7%
Survival
5%
Family bonds3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 0 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 3 · Shifting 2 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 0 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Warm
4
Joyful
3
Absurd
2
Melancholic
1
Other
5

How their films linger

Feel-good6 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet2
  • Tragic1
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Greg Strangis' films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Prime Video (4).

Also on these channels

Subscription and free streaming for Greg Strangis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page.

  • JAG(1995)

    Show 2 episodes · Writer

    Midcredits score: 43rd percentile of all shows

  • Reason for Living: The Jill Ireland Story(1991)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • An Eight Is Enough Wedding(1989)

    Writer

    Midcredits score: 50th percentile of all films

  • Talk Radio(1988)

    Executive Producer

    Midcredits score: 87th percentile of all films

  • War of the Worlds (not in the MovieCove catalog yet)(1988)

    Show 3 episodes · Creator · Writer

  • Pigs vs. Freaks(1982)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Not Just Another Affair(1982)

    Producer

    Midcredits score: 21st percentile of all films

  • Rivkin: Bounty Hunter (not in the MovieCove catalog yet)(1981)

    Executive Producer

  • Gridlock (not in the MovieCove catalog yet)(1980)

    Executive Producer

  • Better Late Than Never(1979)

    Executive Producer · Writer

    Midcredits score: 49th percentile of all films

  • Rainbow (not in the MovieCove catalog yet)(1978)

    Executive Producer

  • Monster Squad(1976)

    Show 2 episodes · Writer

    Midcredits score: 34th percentile of all shows

  • Electra Woman and Dyna Girl(1976)

    Show Writer

    Midcredits score: 27th percentile of all shows

Career shape

A full career of 11 titles from 1976 to 1995.

Biggest box office

Talk Radio (1988)

$3.5M worldwide

Highest rated

Talk Radio (1988)

Midcredits 87th

Most popular right now

Monster Squad (1976)

By role

only this rolewith another role
Writing5 of 11: 3 only writing, 2 with another roleProducing7 of 11: 6 only producing, 1 with another roleOther crew1 of 11: 0 only other crew, 1 with another role

By decade

1970s3 · crew1980s6 · crew1990s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Greg Strangis' films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 6

Approval · how many liked their films

36thpercentile
Typical film, the median of 6

Reach · how many have seen their films

24thpercentile
Typical film, the median of 6

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th5
  • Below 25th2

Shape of the crowd

4 of their 9 titles are Cult Classics.

  • Cult Classic4
  • Crowd Pleaser1
  • Mixed4

Most divisive · writer

An Eight Is Enough Wedding (1989)

85th percentile spread · 28% rated it 4 or lower

Most loved · producer

Talk Radio (1988)

Midcredits 87th · 75% liked

Reviewers score the dialogue 46/100 and the plot and story 40/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Greg Strangis work with?

People who share at least 2 of Greg Strangis' MovieCove titles, grouped by what they did on them; Sam Strangis shares the most, 3.

Actors

Editors

Producers