Jacques-Eric Strauss
- Producer
- 10 on MovieCove · 19 credits in all
What are Jacques-Eric Strauss' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 9
A split, not a type: Light 2 · Serious 3 · Dark 5
Grounded 3 · Stylized 7 · Heightened 0
Gentle 1 · Charged 6 · Intense 3
Steady 6 · Shifting 4 · Whiplash 0
Straight-faced 7 · Some laughs 2 · Funny 1
A split, not a type: Slow burn 5 · Even-paced 4 · Relentless 1
Casual 3 · Engaged 5 · Full focus 2
Easy watch 3 · Affecting 4 · Heavy 3
A split, not a type: Resolved 6 · Open-ended 2 · Ambiguous 2
Moods and endings
- Happy1
- Bittersweet5
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jacques-Eric Strauss' films?
As of October 24, 2026, 2 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Jacques-Eric Strauss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Dead Weight(2002)
Midcredits score: 43rd percentile of all films
Midcredits score: 16th percentile of all films
I Don't Kiss (not in the MovieCove catalog yet)(1991)
Street of No Return (not in the MovieCove catalog yet)(1989)
Jesus of Montreal(1989)
Midcredits score: 88th percentile of all films
Killing Time (not in the MovieCove catalog yet)(1987)
Taxi Boy(1986)
Midcredits score: 1st percentile of all films (provisional, few ratings)
Au nom de tous les miens (not in the MovieCove catalog yet)(1985)
For Those I Loved(1983)
Midcredits score: 81st percentile of all films
Le bar du téléphone(1980)
Midcredits score: 20th percentile of all films
Rene the Cane (not in the MovieCove catalog yet)(1977)
Je t'aime moi non plus(1976)
Midcredits score: 44th percentile of all films
The Secret (not in the MovieCove catalog yet)(1974)
Chance and Violence (not in the MovieCove catalog yet)(1974)
The Inheritor (not in the MovieCove catalog yet)(1973)
A Full Day's Work (not in the MovieCove catalog yet)(1973)
Without Apparent Motive(1971)
Midcredits score: 53rd percentile of all films
The Sicilian Clan(1969)
Midcredits score: 93rd percentile of all films
Secret World(1969)
Midcredits score: 29th percentile of all films
Career shape
A full career of 17 titles from 1969 to 2002.
Biggest box office
An American Werewolf in Paris (1997)
Highest rated
The Sicilian Clan (1969)
Most popular right now
An American Werewolf in Paris (1997)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jacques-Eric Strauss' films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th3
- Below 25th3
Shape of the crowd
None of their 10 titles divides audiences: 5 are Mixed.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser3
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jacques-Eric Strauss work with?
People who share at least 2 of Jacques-Eric Strauss' MovieCove titles, grouped by what they did on them; Marc Porel shares the most, 2.
Actors
- Marc PorelShared titles: Secret World (1969), The Sicilian Clan (1969)See all 2 shared titles with Marc Porel
- Yves LefebvreShared titles: Secret World (1969), The Sicilian Clan (1969)See all 2 shared titles with Yves Lefebvre
Composers and editors
- Nicole SaunierShared titles: Le bar du téléphone (1980), Without Apparent Motive (1971)See all 2 shared titles with Nicole Saunier
- Ennio MorriconeShared titles: Without Apparent Motive (1971), The Sicilian Clan (1969)See all 2 shared titles with Ennio Morricone
Mixed roles
- Claude BarroisShared titles: Le bar du téléphone (1980), Without Apparent Motive (1971)See all 2 shared titles with Claude Barrois