Robert W. Stringer

What are Robert W. Stringer's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert W. Stringer's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on MGM+ (3).

• MGM+3 titles, browse their movies on this service
  • So Young, So Bad (1950) · composer
  • Jigsaw (1949) · composer
  • St. Benny the Dip (1951) · composer
• Tubi2 titles, browse their movies on this service
  • Jigsaw (1949) · composer · free
  • St. Benny the Dip (1951) · composer · free
• Fandor1 title, browse their movies on this service
  • St. Benny the Dip (1951) · composer

Subscription and free streaming for Robert W. Stringer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page.

• 

  The Daredevil (not in the MovieCove catalog yet)(1972)

  Director · Editor
• 

  Her Name Was Ellie, His Name Was Lyle (not in the MovieCove catalog yet)(1967)

  Composer
• 

  Jungle Moon Men (not in the MovieCove catalog yet)(1955)

  Composer
• 

  St. Benny the Dip(1951)

  Composer

  Midcredits score: 18th percentile of all films18^th
• 

  So Young, So Bad(1950)

  Composer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Jigsaw(1949)

  Composer

  Midcredits score: 24th percentile of all films24^th
• 

  Two Girls on Broadway(1940)

  Composer

  Midcredits score: 44th percentile of all films44^th

Career shape

A full career of 6 titles from 1949 to 1972.

Highest rated

Jigsaw (1949)

Midcredits 24^th

Most popular right now

Two Girls on Broadway (1940)

How do Robert W. Stringer's films land?

Their typical MovieCove film has a Midcredits score in the 33^rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 37^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 4 are Broadly Agreed.

4

• Broadly Agreed4

Most loved · composer

Two Girls on Broadway (1940)

Midcredits 44^th · 36% liked

Reviewers score the sound and music 45/100 in their films, across 4 reviewed titles; fans 63, detractors 40. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert W. Stringer work with?

People who share at least 2 of Robert W. Stringer's MovieCove titles, grouped by what they did on them; Don Malkames shares the most, 3.