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Herbert L. Strock

Herbert L. Strock

Director, editor, writer and producer · Died November 30, 2005, aged 87 · Boston, Massachusetts, USA

Herbert L. Strock (January 13, 1918 - November 30, 2005) was an American television producer and director, and a B-movie director of titles such as I Was a Teenage Frankenstein (1957), How to Make a Monster (1958) and The Crawling Hand (1963). Strock was born in Boston, and moved with his family to Los Angeles when he was 13. By 17, while a student at Beverly Hills High School, Strock was director of gossip columnist Jimmy Fidler's Hollywood segments for Fox Movietone News. Strock graduated in 1941 from USC, where he studied journalism and film. During World War II, he served in the Army's Ordnance Motion Picture Division. He was assistant editor on the 1944 film Gaslight for MGM. In a "pioneering" television career that began in the 1940s, Strock was involved with many television series including Highway Patrol, Sky King, Sea Hunt and Maverick. Other directorial efforts included Blood of Dracula (a 1957 film in which a disturbed teenage girl at a boarding school becomes a vampire through hypnosis) and Ivan Tors' "Office of Scientific Investigation" trilogy, which included The Magnetic Monster, Riders to the Stars and Gog, shot in 3-D. In 2000, Strock published a memoir, Picture Perfect. Description above from the Wikipedia article Herbert L. Strock, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 13, 1918
Died
November 30, 2005 (aged 87)
From
Boston, Massachusetts, USA
Works as
Director, editor, writer and producer
Titles
19 on MovieCove · 41 credits in all
TMDB popularity, last 38 days to Oct 27Down 24% in 30 days

What are Herbert L. Strock's films like?

Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 6 · Stylized 6 · Heightened 2

Gentle 2 · Charged 10 · Intense 2

Steady 9 · Shifting 5 · Whiplash 0

Straight-faced 10 · Some laughs 3 · Funny 1

Slow burn 8 · Even-paced 6 · Relentless 0

Casual 7 · Engaged 6 · Full focus 1

Resolved 10 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Dread
9
Absurd
3
Contemplative
3
Cold
2
Other
5

How their films end · 1 with a twist

  • Happy2
  • Bittersweet4
  • Tragic2
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Herbert L. Strock's films?

As of October 24, 2026, 14 of their 19 MovieCove titles stream on a subscription or free service, most on Prime Video (8).

Subscription and free streaming for Herbert L. Strock's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 19 with a MovieCove page.

  • You Snooze You Lose (not in the MovieCove catalog yet)(1995)

    Editor

  • The Crawling Hand (not in the MovieCove catalog yet)(1991)

    Director · Screenplay

  • Summer Seductions (not in the MovieCove catalog yet)(1988)

    Editor

  • Night Screams (not in the MovieCove catalog yet)(1987)

    Editor

  • Appointment with Fear (not in the MovieCove catalog yet)(1985)

    Editor · Second Unit Director

  • Betty Boop for President(1980)

    Editor · Screenplay

    Midcredits score: 27th percentile of all films (provisional, few ratings)
  • UFO Syndrome (not in the MovieCove catalog yet)(1980)

    Writer

  • Witches' Brew (not in the MovieCove catalog yet)(1980)

    Director · Editor

  • Monstroid(1980)

    Director · Screenplay

    Midcredits score: 1st percentile of all films
  • UFO Journals(1978)

    Editor · Producer

    Midcredits score: 35th percentile of all films (provisional, few ratings)
  • So Evil, My Sister(1974)

    Editor

    Midcredits score: 4th percentile of all films
  • Brother on the Run (not in the MovieCove catalog yet)(1973)

    Director

  • The Small Miracle (not in the MovieCove catalog yet)(1973)

    Producer

  • Decisions! Decisions! (not in the MovieCove catalog yet)(1971)

    Producer

  • Shark (not in the MovieCove catalog yet)(1969)

    Post Production Supervisor

  • The Crawling Hand(1963)

    Director · Editor · Screenplay

    Midcredits score: 1st percentile of all films
  • Carnival of Souls(1962)

    Editor

    Midcredits score: 82nd percentile of all films
  • The Devil's Messenger (not in the MovieCove catalog yet)(1962)

    Director

  • Rider on a Dead Horse(1962)

    Director

    Midcredits score: 14th percentile of all films
  • 77 Sunset Strip (not in the MovieCove catalog yet)(1958)

    Show 1 episode · Director

  • Bronco (not in the MovieCove catalog yet)(1958)

    Show 5 episodes · Director

  • How to Make a Monster(1958)

    Director

    Midcredits score: 26th percentile of all films
  • Destination Nightmare (not in the MovieCove catalog yet)(1958)

    Director

  • Sea Hunt(1958)

    Show 1 episode · Director

    Midcredits score: 74th percentile of all shows
  • The Veil(1958)

    Show 4 episodes · Director

    Midcredits score: 64th percentile of all shows
  • Midcredits score: 18th percentile of all films
  • Blood of Dracula(1957)

    Director

    Midcredits score: 8th percentile of all films
  • Harbor Command (not in the MovieCove catalog yet)(1957)

    Show 1 episode · Director

  • Maverick(1957)

    Show 1 episode · Director

    Midcredits score: 86th percentile of all shows
  • The Man Called X (not in the MovieCove catalog yet)(1956)

    Show 1 episode · Director

  • Highway Patrol(1955)

    Show 17 episodes · Director

    Midcredits score: 74th percentile of all shows
  • Cheyenne(1955)

    Show 1 episode · Director

    Midcredits score: 79th percentile of all shows
  • Science Fiction Theatre (not in the MovieCove catalog yet)(1955)

    Show 18 episodes · Director

  • Battle Taxi (not in the MovieCove catalog yet)(1955)

    Director

  • Gog(1954)

    Director · Editor

    Midcredits score: 24th percentile of all films
  • Riders to the Stars(1954)

    Director · Associate Producer · Editor

    Midcredits score: 20th percentile of all films
  • Donovan's Brain(1953)

    Editor · Producer · Production Assistant

    Midcredits score: 37th percentile of all films
  • The Glass Wall (not in the MovieCove catalog yet)(1953)

    Editor

  • The Magnetic Monster(1953)

    Director · Supervising Editor

    Midcredits score: 32nd percentile of all films
  • Your Favorite Story (not in the MovieCove catalog yet)(1953)

    Show 1 episode · Director

  • I Led Three Lives (not in the MovieCove catalog yet)(1953)

    Show 26 episodes · Director

Career shape

A full career of 41 titles from 1953 to 1995.

By role

only this rolewith another role
Directing27 of 41: 20 only directing, 7 with another role · typical Midcredits score25thWriting5 of 41: 1 only writing, 4 with another roleProducing4 of 41: 2 only producing, 2 with another roleEditing15 of 41: 6 only editing, 9 with another role · typical Midcredits score27thOther crew3 of 41: 1 only other crew, 2 with another role

41 titles, 11 with more than one role — directing and editing overlap on 5 of them.

By decade

1950s22 · crew1960s5 · crew1970s5 · crew1980s7 · crew1990s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Herbert L. Strock's films land?

Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 14

Approval · how many liked their films

19thpercentile
Typical film, the median of 14

Reach · how many have seen their films

45thpercentile
Typical film, the median of 14

Midcredits score across 19 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th8

Shape of the crowd

9 of their 19 titles are Mixed.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed3
  • Mixed9

Reviewers score the atmosphere 52/100 and the pacing 32/100 in their films, across 12 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Herbert L. Strock work with?

People who share at least 2 of Herbert L. Strock's MovieCove titles, grouped by what they did on them; Aben Kandel shares the most, 3.

Writers

Actors

Composers and cinematographers