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Louis A. Stroller

Producer

Works as
Producer
Titles
33 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 15% in 30 days

What are Louis A. Stroller's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Action9 titlesTypical Midcredits score: 42nd percentile
: browse their Action movies
Comedy6 titlesTypical Midcredits score: 40th percentile
: browse their Comedy movies
Crime6 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Crime movies
Horror2 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
32%
Bonds
29%
Self
16%
Power
8%
Survival
8%
Society
3%
Ideas
3%
Justice6 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeFriendship5 titles, browse their movies with this themeBetrayal6 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeDuty3 titles, browse their movies with this theme

What they feel like to watch

their average across 25 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 8 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 12 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 7 · Charged 8 · Intense 10

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 11 · Whiplash 5

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 9 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 14 · Relentless 4

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 13 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 21 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Thrilling
9
Melancholic
8
Absurd
6
Joyful
6
Other
26

How their films linger

Fun13 titles, browse their movies with this aftertasteFeel-good10 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy11
  • Bittersweet11
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louis A. Stroller's films?

As of October 24, 2026, 18 of their 33 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Louis A. Stroller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 33 with a MovieCove page.

  • Lara Croft: Tomb Raider - The Cradle of Life(2003)

    Co-Producer

    Midcredits score: 24th percentile of all films

  • Carolina(2003)

    Producer

    Midcredits score: 48th percentile of all films

  • The Adventures of Pluto Nash(2002)

    Producer

    Midcredits score: 3rd percentile of all films

  • The Bone Collector(1999)

    Producer

    Midcredits score: 69th percentile of all films

  • Snake Eyes(1998)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • Nothing to Lose(1997)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • The Rock(1996)

    Executive Producer

    Midcredits score: 90th percentile of all films

  • Gold Diggers: The Secret of Bear Mountain(1995)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • The Shadow(1994)

    Producer

    Midcredits score: 46th percentile of all films

  • Carlito's Way(1993)

    Executive Producer

    Midcredits score: 98th percentile of all films

  • The Real McCoy(1993)

    Co-Producer

    Midcredits score: 23rd percentile of all films

  • Blue Ice(1992)

    Co-Producer

    Midcredits score: 19th percentile of all films

  • Back in the U.S.S.R.(1992)

    Producer

    Midcredits score: 8th percentile of all films

  • Betsy's Wedding(1990)

    Producer

    Midcredits score: 26th percentile of all films

  • Sea of Love(1989)

    Producer · Unit Production Manager

    Midcredits score: 74th percentile of all films

  • A New Life(1988)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Real Men(1987)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Sweet Liberty(1986)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Scarface(1983)

    Executive Producer

    Midcredits score: 99th percentile of all films

  • Eddie Macon's Run(1983)

    Producer

    Midcredits score: 31st percentile of all films

  • The Four Seasons(1981)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • Venom(1981)

    Producer

    Midcredits score: 38th percentile of all films

  • Simon(1980)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • The Seduction of Joe Tynan(1979)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • Eyes of Laura Mars(1978)

    Assistant Director · Unit Production Manager

    Midcredits score: 45th percentile of all films

  • Carrie(1976)

    Associate Producer

    Midcredits score: 93rd percentile of all films

  • 92 in the Shade(1975)

    Assistant Director

    Midcredits score: 41st percentile of all films

  • Man on a Swing(1974)

    First Assistant Director

    Midcredits score: 65th percentile of all films

  • Badlands(1973)

    Associate Producer

    Midcredits score: 97th percentile of all films

  • Minnie and Moskowitz(1971)

    Assistant Director

    Midcredits score: 87th percentile of all films

  • They Might Be Giants(1971)

    Assistant Director

    Midcredits score: 70th percentile of all films

  • Take the Money and Run(1969)

    Assistant Director

    Midcredits score: 89th percentile of all films

  • The Producers(1967)

    Unit Manager

    Midcredits score: 93rd percentile of all films

Career shape

A full career of 29 titles from 1968 to 2003.

Biggest box office

The Rock (1996)

$335M worldwide

Highest rated

Carlito's Way (1993)

Midcredits 98th

Most popular right now

Carrie (1976)

By role

only this rolewith another role
Producing22 of 29: 21 only producing, 1 with another role · typical Midcredits score50thOther crew8 of 29: 7 only other crew, 1 with another role · typical Midcredits score72nd

By decade

1960s2 · crew1970s8 · crew1980s8 · crew1990s9 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Louis A. Stroller's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 33; across their 25 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 25

Approval · how many liked their films

45thpercentile
Typical film, the median of 25

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 25

Midcredits score across 33 titles, by percentile

  • 75th and up8
  • 50th to 74th8
  • 25th to 49th12
  • Below 25th5

Shape of the crowd

13 of their 33 titles are Crowd Pleasers.

  • Universally Loved4
  • Universally Panned1
  • Crowd Pleaser13
  • Broadly Agreed9
  • Mixed6

Most divisive · producer

The Adventures of Pluto Nash (2002)

56th percentile spread · 58% rated it 4 or lower

Most loved · producer

Scarface (1983)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Louis A. Stroller's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore10 titles58–87 · median 77 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles24–70 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity12 titles31–90 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles21–64 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles52–85 · median 64 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Louis A. Stroller work with?

People who share at least 2 of Louis A. Stroller's MovieCove titles, grouped by what they did on them; Martin Bregman shares the most, 19.

Directors

Writers

Actors

Cinematographers and editors

Producers