Raymond Stross
- Producer
- 7 on MovieCove · 19 credits in all
What are Raymond Stross' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 2 · Serious 1 · Dark 4
Grounded 3 · Stylized 4 · Heightened 0
Gentle 2 · Charged 3 · Intense 2
Steady 3 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 0 · Funny 2
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 2 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 4
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet1
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Raymond Stross' films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Raymond Stross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 7 with a MovieCove page.
Good Luck, Miss Wyckoff(1979)
Midcredits score: 41st percentile of all films
I Want What I Want(1972)
Midcredits score: 35th percentile of all films
Midas Run (not in the MovieCove catalog yet)(1969)
The Fox (not in the MovieCove catalog yet)(1967)
The Leather Boys(1964)
Midcredits score: 80th percentile of all films
The Very Edge (not in the MovieCove catalog yet)(1963)
The Mark (not in the MovieCove catalog yet)(1961)
The Night Fighters(1960)
Midcredits score: 29th percentile of all films
The Angry Hills (not in the MovieCove catalog yet)(1959)
A Question of Adultery (not in the MovieCove catalog yet)(1958)
A Touch of the Sun (not in the MovieCove catalog yet)(1956)
Jumping for Joy (not in the MovieCove catalog yet)(1956)
An Alligator Named Daisy(1955)
Midcredits score: 12th percentile of all films
As Long as They're Happy(1955)
Midcredits score: 21st percentile of all films
Star of India (not in the MovieCove catalog yet)(1954)
Rough Shoot (not in the MovieCove catalog yet)(1953)
The Paris Express(1952)
Midcredits score: 49th percentile of all films
Tall Headlines (not in the MovieCove catalog yet)(1952)
Hell Is Sold Out (not in the MovieCove catalog yet)(1951)
Career shape
A full career of 19 titles from 1951 to 1979.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Raymond Stross' films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 25th to 49th4
- Below 25th2
Shape of the crowd
3 of their 7 titles are Broadly Agreed.
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Raymond Stross work with?
People who share at least 2 of Raymond Stross' MovieCove titles, grouped by what they did on them; Anne Heywood shares the most, 3.
Directors
- J. Lee ThompsonShared titles: An Alligator Named Daisy (1955), As Long as They're Happy (1955)See all 2 shared titles with J. Lee Thompson
Writers
- Gillian FreemanShared titles: I Want What I Want (1972), The Leather Boys (1964)See all 2 shared titles with Gillian Freeman
Actors
- Anne HeywoodShared titles: Good Luck, Miss Wyckoff (1979), I Want What I Want (1972), The Night Fighters (1960)See all 3 shared titles with Anne Heywood
- Avice LandoneShared titles: The Leather Boys (1964), An Alligator Named Daisy (1955)See all 2 shared titles with Avice Landone
- Diana DorsShared titles: An Alligator Named Daisy (1955), As Long as They're Happy (1955)See all 2 shared titles with Diana Dors
Composers and editors
- John D. GuthridgeShared titles: An Alligator Named Daisy (1955), As Long as They're Happy (1955)See all 2 shared titles with John D. Guthridge
- Stanley BlackShared titles: An Alligator Named Daisy (1955), As Long as They're Happy (1955)See all 2 shared titles with Stanley Black
Producers
- Earl St. JohnShared titles: An Alligator Named Daisy (1955), As Long as They're Happy (1955)See all 2 shared titles with Earl St. John
