Hans Székely
Writer · Died December 16, 1958, aged 57 · Budapest - Hungary
- July 7, 1901
- December 16, 1958 (aged 57)
- Budapest - Hungary
- Writer
- 4 on MovieCove · 23 credits in all
What are Hans Székely's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
Grounded 1 · Stylized 2 · Heightened 1
Gentle 1 · Charged 3 · Intense 0
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hans Székely's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Hans Székely's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 4 with a MovieCove page.
Geschwader Fledermaus (not in the MovieCove catalog yet)(1958)
Paris Calling (not in the MovieCove catalog yet)(1941)
Arise, My Love(1940)
Midcredits score: 71st percentile of all films
Dramatic School (not in the MovieCove catalog yet)(1938)
The Lie of Nina Petrovna (not in the MovieCove catalog yet)(1937)
Desire(1936)
Midcredits score: 84th percentile of all films
Die schönen Tage von Aranjuez (not in the MovieCove catalog yet)(1933)
Goodbye Beautiful Days (not in the MovieCove catalog yet)(1933)
Early to Bed (not in the MovieCove catalog yet)(1933)
I by Day, You by Night (not in the MovieCove catalog yet)(1932)
Gloria (not in the MovieCove catalog yet)(1931)
Gloria (not in the MovieCove catalog yet)(1931)
City of Song (not in the MovieCove catalog yet)(1931)
The Singing City (not in the MovieCove catalog yet)(1930)
Melody of the Heart (not in the MovieCove catalog yet)(1929)
Mother Hummingbird(1929)
Midcredits score: 75th percentile of all films
Manolescu, the Prince of Swindlers (not in the MovieCove catalog yet)(1929)
The Wonderful Lies of Nina Petrovna (not in the MovieCove catalog yet)(1929)
Asphalt(1929)
Midcredits score: 88th percentile of all films
Hungarian Rhapsody (not in the MovieCove catalog yet)(1928)
Souls Aflame (not in the MovieCove catalog yet)(1926)
The Master of Death (not in the MovieCove catalog yet)(1926)
Namenlose Helden (not in the MovieCove catalog yet)(1925)
Career shape
A full career of 23 titles from 1925 to 1958.
How do Hans Székely's films land?
Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up3
- 50th to 74th1
Shape of the crowd
None of their 4 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
Reviewers score the dialogue 58/100 and the plot and story 51/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hans Székely work with?
People who share at least 2 of Hans Székely's MovieCove titles; Joe May shares the most, 2.
- Joe MayShared titles: Asphalt (1929), Mother Hummingbird (1929)See all 2 shared titles with Joe May
- Charles LangShared titles: Arise, My Love (1940), Desire (1936)See all 2 shared titles with Charles Lang
