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Rosario Sáinz de Rozas

Editor

Works as
Editor
Titles
5 on MovieCove · 16 credits in all
TMDB popularity, last 39 days to Oct 28Down 31% in 30 days

What are Rosario Sáinz de Rozas' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Self.

Themes

share of theme weight
Power
43%
Self
32%
Bonds
25%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 1 · Earnest 2

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

A split, not a type: Gentle 1 · Charged 1 · Intense 2

Steady 1 · Shifting 2 · Whiplash 1

A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
3
Warm
2
Tense
1
Manic
1
Joyful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rosario Sáinz de Rozas' films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Rosario Sáinz de Rozas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 5 with a MovieCove page.

  • The Nine Mile Walk (not in the MovieCove catalog yet)(2003)

    Editor

  • Días de fútbol(2003)

    Editor

    Midcredits score: 56th percentile of all films
  • Torremolinos 73(2003)

    Editor

    Midcredits score: 63rd percentile of all films
  • Broken Silence(2001)

    Editor

    Midcredits score: 69th percentile of all films
  • Yoyes (not in the MovieCove catalog yet)(2000)

    Editor

  • Stories from the Kronen (not in the MovieCove catalog yet)(1995)

    Editor

  • Todos a la cárcel(1993)

    Editor

    Midcredits score: 59th percentile of all films
  • 87 love letters (not in the MovieCove catalog yet)(1992)

    Editor

  • Letters from Alou (not in the MovieCove catalog yet)(1990)

    Editor

  • ¡Bruja, más que bruja! (not in the MovieCove catalog yet)(1977)

    Assistant Editor

  • Del amor y de la muerte (not in the MovieCove catalog yet)(1977)

    Assistant Editor

  • Family Portrait (not in the MovieCove catalog yet)(1976)

    Assistant Editor

  • Treasure Island(1972)

    Assistant Editor

    Midcredits score: 35th percentile of all films
  • Las secretas intenciones (not in the MovieCove catalog yet)(1970)

    Assistant Editor

  • The Challenges (not in the MovieCove catalog yet)(1969)

    Assistant Editor

  • Smashing Up (not in the MovieCove catalog yet)(1968)

    Assistant Editor

Career shape

A full career of 15 titles from 1968 to 2003.

By role

only this rolewith another role
Editing8 of 15: 8 only editing, 0 with another roleOther crew7 of 15: 7 only other crew, 0 with another role

By decade

1960s2 · crew1970s5 · crew1990s3 · crew2000s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Rosario Sáinz de Rozas' films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 4

Approval · how many liked their films

64thpercentile
Typical film, the median of 4

Reach · how many have seen their films

68thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 50th to 74th4
  • 25th to 49th1

Reviewers score the pacing 48/100 in their films, across 4 reviewed titles; fans 60, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rosario Sáinz de Rozas work with?

People who share at least 2 of Rosario Sáinz de Rozas' MovieCove titles, grouped by what they did on them; Fernando Tejero shares the most, 2.

Actors

Cinematographers

Producers