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Renato Tafuri

Cinematographer

Works as
Cinematographer
Titles
4 on MovieCove · 24 credits in all
TMDB popularity, last 38 days to Oct 27Up 11% in 30 days

What are Renato Tafuri's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
44%
Morality
42%
Society
15%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

A split, not a type: Grounded 1 · Stylized 0 · Heightened 2

Gentle 0 · Charged 1 · Intense 2

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 1 · Relentless 1

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Dread
2
Tense
2
Melancholic
2
Bittersweet
1
Hopeful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Renato Tafuri's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Renato Tafuri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 4 with a MovieCove page.

  • Elvis and Marilyn (not in the MovieCove catalog yet)(1998)

    Cinematographer

  • Bonus Malus (not in the MovieCove catalog yet)(1993)

    Cinematographer

  • Quattro figli unici (not in the MovieCove catalog yet)(1992)

    Cinematographer

  • The Stolen Children(1992)

    Cinematographer

    Midcredits score: 93rd percentile of all films
  • Agnes (not in the MovieCove catalog yet)(1992)

    Cinematographer

  • The Church(1989)

    Cinematographer

    Midcredits score: 53rd percentile of all films
  • Dial: Help (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Don Bosco (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Opera(1987)

    Second Unit Director of Photography

    Midcredits score: 77th percentile of all films
  • He Looks Dead... But He's Only Fainted (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • StageFright(1987)

    Cinematographer

    Midcredits score: 68th percentile of all films
  • Secrets Secrets (not in the MovieCove catalog yet)(1985)

    Cinematographer

  • FF.SS. cioè '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Roberto Benigni: TuttoBenigni (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Occhio nero, occhio biondo, occhio felino... (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Looking for Jesus (not in the MovieCove catalog yet)(1982)

    Cinematographer

  • The Opportunities of Rosa (not in the MovieCove catalog yet)(1981)

    Cinematographer

  • Calderon (not in the MovieCove catalog yet)(1981)

    Cinematographer

  • Lost and Found (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • Berlinguer: I Love You (not in the MovieCove catalog yet)(1977)

    Cinematographer

  • ABCinema (not in the MovieCove catalog yet)(1975)

    Cinematographer

  • Festival dell’Unità 1972 (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • Il sasso in bocca (not in the MovieCove catalog yet)(1970)

    Second Unit Director of Photography

  • Apollon: una fabbrica occupata (not in the MovieCove catalog yet)(1969)

    Cinematographer

Career shape

A full career of 24 titles from 1969 to 1998.

By role

only this rolewith another role
Cinematography24 of 24: 24 only cinematography, 0 with another role

By decade

1960s1 · crew1970s4 · crew1980s14 · crew1990s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Renato Tafuri's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 3

Approval · how many liked their films

66thpercentile
Typical film, the median of 3

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed1

Reviewers score the cinematography 77/100 in their films, across 3 reviewed titles; fans 80, detractors 50. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Renato Tafuri work with?

People who share at least 2 of Renato Tafuri's MovieCove titles, grouped by what they did on them; Michele Soavi shares the most, 2.

Directors

Actors