Renato Tafuri
- Cinematographer
- 4 on MovieCove · 24 credits in all
What are Renato Tafuri's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 2
Light 0 · Serious 1 · Dark 2
A split, not a type: Grounded 1 · Stylized 0 · Heightened 2
Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Renato Tafuri's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Renato Tafuri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 4 with a MovieCove page.

Elvis and Marilyn (not in the MovieCove catalog yet)(1998)

Bonus Malus (not in the MovieCove catalog yet)(1993)

Quattro figli unici (not in the MovieCove catalog yet)(1992)

The Stolen Children(1992)
Midcredits score: 93rd percentile of all filmsAgnes (not in the MovieCove catalog yet)(1992)

The Church(1989)
Midcredits score: 53rd percentile of all films
Dial: Help (not in the MovieCove catalog yet)(1988)

Don Bosco (not in the MovieCove catalog yet)(1988)

Opera(1987)
Midcredits score: 77th percentile of all films
He Looks Dead... But He's Only Fainted (not in the MovieCove catalog yet)(1987)

StageFright(1987)
Midcredits score: 68th percentile of all films
Secrets Secrets (not in the MovieCove catalog yet)(1985)

FF.SS. cioè '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' (not in the MovieCove catalog yet)(1983)

Roberto Benigni: TuttoBenigni (not in the MovieCove catalog yet)(1983)

Occhio nero, occhio biondo, occhio felino... (not in the MovieCove catalog yet)(1983)

Looking for Jesus (not in the MovieCove catalog yet)(1982)

The Opportunities of Rosa (not in the MovieCove catalog yet)(1981)
Calderon (not in the MovieCove catalog yet)(1981)

Lost and Found (not in the MovieCove catalog yet)(1980)

Berlinguer: I Love You (not in the MovieCove catalog yet)(1977)

ABCinema (not in the MovieCove catalog yet)(1975)

Festival dell’Unità 1972 (not in the MovieCove catalog yet)(1973)

Il sasso in bocca (not in the MovieCove catalog yet)(1970)

Apollon: una fabbrica occupata (not in the MovieCove catalog yet)(1969)
Career shape
A full career of 24 titles from 1969 to 1998.

Biggest box office
The Stolen Children (1992)

Highest rated
The Stolen Children (1992)

Most popular right now
StageFright (1987)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Renato Tafuri's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up2
- 50th to 74th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
Reviewers score the cinematography 77/100 in their films, across 3 reviewed titles; fans 80, detractors 50. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Renato Tafuri work with?
People who share at least 2 of Renato Tafuri's MovieCove titles, grouped by what they did on them; Michele Soavi shares the most, 2.
Directors
- Michele SoaviShared titles: The Church (1989), StageFright (1987)See all 2 shared titles with Michele Soavi

Actors
- Barbara CupistiShared titles: The Church (1989), StageFright (1987)See all 2 shared titles with Barbara Cupisti

- Giovanni Lombardo RadiceShared titles: The Church (1989), StageFright (1987)See all 2 shared titles with Giovanni Lombardo Radice




