Skip to content
MovieCove

Errol Taggart

Editor, also producer · Died August 30, 1940, aged 45 · Ottawa, Ontario, Canada

Born
July 15, 1895
Died
August 30, 1940 (aged 45)
From
Ottawa, Ontario, Canada
Works as
Editor, also producer
Titles
5 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 6% in 30 days

What are Errol Taggart's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
40%
Bonds
28%
Self
19%
Power
13%
Deception2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 1 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 2 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
1
Bittersweet
2
Melancholic
1
Warm
1

How their films linger

Bittersweet2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Errol Taggart's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Errol Taggart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 5 with a MovieCove page.

  • Strange Faces (not in the MovieCove catalog yet)(1938)

    Director

  • The Women Men Marry (not in the MovieCove catalog yet)(1937)

    Director

  • Song of the City (not in the MovieCove catalog yet)(1937)

    Director

  • Man of the People(1937)

    Producer

    Midcredits score: 42nd percentile of all films

  • Sinner Take All (not in the MovieCove catalog yet)(1936)

    Director

  • The Public Pays (not in the MovieCove catalog yet)(1936)

    Director

  • The Longest Night (not in the MovieCove catalog yet)(1936)

    Director

  • Women Are Trouble (not in the MovieCove catalog yet)(1936)

    Director

  • Fast Workers(1933)

    Assistant Director

    Midcredits score: 62nd percentile of all films

  • Whistling in the Dark(1933)

    Assistant Director

    Midcredits score: 52nd percentile of all films

  • Flesh (not in the MovieCove catalog yet)(1932)

    Assistant Director

  • London After Midnight (not in the MovieCove catalog yet)(1927)

    Editor

  • The Unknown(1927)

    Editor

    Midcredits score: 94th percentile of all films

  • The Show (not in the MovieCove catalog yet)(1927)

    Editor

  • The Blackbird(1926)

    Editor

    Midcredits score: 71st percentile of all films

  • White Tiger (not in the MovieCove catalog yet)(1923)

    Editor

  • The Day of Faith (not in the MovieCove catalog yet)(1923)

    Assistant Director

  • Drifting (not in the MovieCove catalog yet)(1923)

    Editor

Career shape

A full career of 17 titles from 1923 to 1938.

Biggest box office

The Unknown (1927)

$4.8K worldwide

Highest rated

The Unknown (1927)

Midcredits 94th

By role

only this rolewith another role
Directing7 of 17: 7 only directing, 0 with another roleEditing6 of 17: 6 only editing, 0 with another roleOther crew4 of 17: 4 only other crew, 0 with another role

By decade

1920s7 · crew1930s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Errol Taggart's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 3

Approval · how many liked their films

71stpercentile
Typical film, the median of 3

Reach · how many have seen their films

34thpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Most loved · editor

The Unknown (1927)

Midcredits 94th · 82% liked

Reviewers score the pacing 51/100 in their films, across 3 reviewed titles; fans 59, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Errol Taggart work with?

People who share at least 2 of Errol Taggart's MovieCove titles, grouped by what they did on them; Tod Browning shares the most, 2.

Directors

Writers

Actors