Akemi Takada

What are Akemi Takada's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Akemi Takada's films?

As of October 28, 2026, none of Akemi Takada's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Akemi Takada's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The Next Generation Patlabor: Tokyo War(2015)

  Writer

  Midcredits score: 21st percentile of all films21^st
• 

  WXIII: Patlabor(2001)

  Writer

  Midcredits score: 61st percentile of all films61^st
• 

  Patlabor 2: The Movie(1993)

  Writer

  Midcredits score: 94th percentile of all films94^th
• 

  Patlabor: The Movie(1989)

  Writer

  Midcredits score: 84th percentile of all films84^th

Career shape

Across a limited sample of 4 MovieCove titles from 1989 to 2015.

Biggest box office

The Next Generation Patlabor: Tokyo War (2015)

$1.2M worldwide

Highest rated

Patlabor 2: The Movie (1993)

Midcredits 94^th

How do Akemi Takada's films land?

Their typical MovieCove film has a Midcredits score in the 73^rd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 69^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Universally Loved1
• Crowd Pleaser2
• Mixed1

Most divisive · writer

The Next Generation Patlabor: Tokyo War (2015)

72^nd percentile spread · 53% rated it 4 or lower

Most loved · writer

Patlabor 2: The Movie (1993)

Midcredits 94^th · 80% liked

Reviewers score the dialogue 61/100 and the plot and story 62/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Akemi Takada work with?

People who share at least 2 of Akemi Takada's MovieCove titles, grouped by what they did on them; Mamoru Oshii shares the most, 4.