Kenji Takama

What are Kenji Takama's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kenji Takama's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

• Pluto TV1 title, browse their movies on this service
  • Gamera, the Guardian of the Universe (1995) · cinematographer · free
• The Roku Channel1 title, browse their movies on this service
  • Gamera, the Guardian of the Universe (1995) · cinematographer · free

Subscription and free streaming for Kenji Takama's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Death Note: The Last Name(2006)

  Cinematographer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Welcome Back, Mr. McDonald(1997)

  Cinematographer

  Midcredits score: 94th percentile of all films94^th
• 

  Gamera, the Guardian of the Universe(1995)

  Cinematographer

  Midcredits score: 78th percentile of all films78^th
• 

  The Gentle Twelve(1991)

  Cinematographer

  Midcredits score: 79th percentile of all films79^th

Career shape

Across a limited sample of 4 MovieCove titles from 1991 to 2006.

Biggest box office

Death Note: The Last Name (2006)

$48M worldwide

Highest rated

Welcome Back, Mr. McDonald (1997)

Midcredits 94^th

Most popular right now

Death Note: The Last Name (2006)

How do Kenji Takama's films land?

Their typical MovieCove film has a Midcredits score in the 81^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 79^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

13

• Universally Loved1
• Crowd Pleaser3

Most loved · cinematographer

Welcome Back, Mr. McDonald (1997)

Midcredits 94^th · 79% liked

Reviewers score the cinematography 60/100 in their films, across 3 reviewed titles; fans 64, detractors 45. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kenji Takama work with?

People who share at least 2 of Kenji Takama's MovieCove titles, grouped by what they did on them; Shūsuke Kaneko shares the most, 2.