Yoshio Takami

What are Yoshio Takami's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yoshio Takami's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (1).

• Tubi1 title, browse their movies on this service
  • The Little Mermaid (1975) · producer · free

Subscription and free streaming for Yoshio Takami's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  The File of Young Kindaichi 2: Murderous Deep Blue(1999)

  Producer

  Midcredits score: 58th percentile of all films (provisional, few ratings)~58^th
• 

  Kindaichi Case Files Movie 1: The Opera House Murders(1996)

  Producer

  Midcredits score: 75th percentile of all films (provisional, few ratings)~75^th
• 

  Adieu Galaxy Express 999(1981)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Galaxy Express 999(1979)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  The Little Mermaid(1975)

  Producer

  Midcredits score: 82nd percentile of all films82^nd

Career shape

Across their 5 MovieCove titles from 1975 to 1999.

Highest rated

Galaxy Express 999 (1979)

Midcredits 89^th

Most popular right now

The Little Mermaid (1975)

How do Yoshio Takami's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 81^st percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

32

• Crowd Pleaser3
• Mixed2

Most divisive · producer

Kindaichi Case Files Movie 1: The Opera House Murders (1996)

50^th percentile spread · 15% rated it 4 or lower

Most loved · producer

Galaxy Express 999 (1979)

Midcredits 89^th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yoshio Takami work with?

People who share at least 2 of Yoshio Takami's MovieCove titles, grouped by what they did on them; Kaneta Kimotsuki shares the most, 3.