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Yasushi Tamaoki

Producer · Born July 17, 1949 (77) · Matsuyama, Ehime Prefecture, Japan

Born
July 17, 1949 (77)
From
Matsuyama, Ehime Prefecture, Japan
Works as
Producer
Titles
4 on MovieCove · 14 credits in all
TMDB popularity, last 37 days to Oct 26Up 20% in 30 days

What are Yasushi Tamaoki's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Themes

share of theme weight
Society
29%
Bonds
18%
Power
15%
Morality
15%
Ideas
15%
Self
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 1 · Stylized 3 · Heightened 0

Gentle 3 · Charged 1 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 0 · Some laughs 1 · Funny 3

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
4
Joyful
2
Absurd
2
Hopeful
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yasushi Tamaoki's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).

Subscription and free streaming for Yasushi Tamaoki's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 4 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Her Island, My Island (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • Supermarket Woman(1996)

    Producer

    Midcredits score: 92nd percentile of all films
  • A Quiet Life (not in the MovieCove catalog yet)(1995)

    Executive Producer

  • The Last Dance (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • Minbo, or The Gentle Art of Japanese Extortion (not in the MovieCove catalog yet)(1992)

    Producer

  • Great SFX Adventure: Take Me to 'Sweet Home' (not in the MovieCove catalog yet)(1989)

    Producer

  • Sweet Home (not in the MovieCove catalog yet)(1989)

    Executive Producer

  • The Making of "A Taxing Woman's Return" (not in the MovieCove catalog yet)(1988)

    Producer

  • A Taxing Woman's Return (not in the MovieCove catalog yet)(1988)

    Producer

  • The Making of "A Taxing Woman" (not in the MovieCove catalog yet)(1987)

    Producer

  • A Taxing Woman(1987)

    Producer

    Midcredits score: 88th percentile of all films
  • The Making of "Tampopo" (not in the MovieCove catalog yet)(1986)

    Producer

  • Tampopo(1985)

    Producer

    Midcredits score: 99th percentile of all films
  • The Funeral(1984)

    Executive Producer

    Midcredits score: 88th percentile of all films

Career shape

A full career of 14 titles from 1984 to 2003.

By role

only this rolewith another role
Producing14 of 14: 14 only producing, 0 with another role

By decade

1980s9 · crew1990s4 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Yasushi Tamaoki's films land?

Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 91st percentile for acclaim.

Acclaim · how much people like their films

91stpercentile
Typical film, the median of 4

Approval · how many liked their films

87thpercentile
Typical film, the median of 4

Reach · how many have seen their films

81stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up4

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yasushi Tamaoki work with?

People who share at least 2 of Yasushi Tamaoki's MovieCove titles, grouped by what they did on them; Jūzō Itami shares the most, 4.

Directors

Actors

Composers and editors

Producers