- Director and writer
- 4 on MovieCove · 5 credits in all
What are Paul Tana's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 0 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Tana's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Paul Tana's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 4 with a MovieCove page.

Mr. Aiello (not in the MovieCove catalog yet)(1998)

La sarrasine(1992)
Midcredits score: 77th percentile of all films (provisional, few ratings)
Jesus of Montreal(1989)
Midcredits score: 88th percentile of all films
Caffe Italia Montréal(1985)
Midcredits score: 78th percentile of all films (provisional, few ratings)
Les grands enfants(1980)
Midcredits score: 41st percentile of all films (provisional, few ratings)
Career shape
A full career of 5 titles from 1980 to 1998.
How do Paul Tana's films land?
Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up3
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paul Tana work with?
People who share at least 2 of Paul Tana's MovieCove titles, grouped by what they did on them; Louise Surprenant shares the most, 3.
Writers
- Bruno RamirezShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Bruno Ramirez
Actors
- Domenico FioreShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Domenico Fiore

- Gilbert SicotteShared titles: La sarrasine (1992), Les grands enfants (1980)See all 2 shared titles with Gilbert Sicotte

- Tony NardiShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Tony Nardi

Cinematographers and editors
- Louise SurprenantShared titles: La sarrasine (1992), Caffe Italia Montréal (1985), Les grands enfants (1980)See all 3 shared titles with Louise Surprenant

- Michel CaronShared titles: La sarrasine (1992), Caffe Italia Montréal (1985)See all 2 shared titles with Michel Caron

Producers
- Marc DaigleShared titles: La sarrasine (1992), Caffe Italia Montréal (1985), Les grands enfants (1980)See all 3 shared titles with Marc Daigle



