
Shuntarō Tanikawa
Writer · Born December 15, 1931 (94) · Tokyo Prefecture, Japan
- December 15, 1931 (94)
- Tokyo Prefecture, Japan
- Writer
- 3 on MovieCove · 16 credits in all
What are Shuntarō Tanikawa's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 3 · Serious 0 · Dark 0
Grounded 0 · Stylized 1 · Heightened 2
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Shuntarō Tanikawa's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).
Subscription and free streaming for Shuntarō Tanikawa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 3 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Yah Chayka! (not in the MovieCove catalog yet)(2008)
100年インタビュー (not in the MovieCove catalog yet)(2007)
The Summer of Stickleback (not in the MovieCove catalog yet)(2006)

Super Folk Song: Piano ga Aishita Onna (not in the MovieCove catalog yet)(1992)

Video Letter (not in the MovieCove catalog yet)(1983)

Hi no tori(1978)
Midcredits score: 40th percentile of all films
Carol (not in the MovieCove catalog yet)(1974)

Visions of Eight(1973)
Midcredits score: 66th percentile of all films
The Wanderers (not in the MovieCove catalog yet)(1973)

To Love Again (not in the MovieCove catalog yet)(1971)
Japan and the Japanese (not in the MovieCove catalog yet)(1970)

Youth: The 50th National High School Baseball Tournament (not in the MovieCove catalog yet)(1968)

Tokyo Olympiad(1965)
Midcredits score: 96th percentile of all films
Love (not in the MovieCove catalog yet)(1964)

Human Zoo (not in the MovieCove catalog yet)(1962)

X (Batsu) (not in the MovieCove catalog yet)(1960)
Career shape
A full career of 16 titles from 1960 to 2008.
How do Shuntarō Tanikawa's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Cult Classic1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Shuntarō Tanikawa work with?
People who share at least 2 of Shuntarō Tanikawa's MovieCove titles; Kon Ichikawa shares the most, 3.
- Kon IchikawaShared titles: Hi no tori (1978), Visions of Eight (1973), Tokyo Olympiad (1965)See all 3 shared titles with Kon Ichikawa

