- March 16, 1916
- November 16, 1999 (aged 83)
- Malone, New York, USA
- Producer, also actor
- 2 on MovieCove
What are Frank E. Taylor's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Frank E. Taylor's films?
As of October 24, 2026, 1 of their 2 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Frank E. Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
2 credits, 2 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
The Misfits(1961)
Midcredits score: 86th percentile of all films
Mystery Street(1950)
Midcredits score: 85th percentile of all films
Career shape
A full career of 2 titles from 1950 to 1961.
How do Frank E. Taylor's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 2; across a limited sample of 3 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up2
Shape of the crowd
None of their 2 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
Reviewers score the acting 63/100 in their films, across 3 reviewed titles; fans 84, detractors 38. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Frank E. Taylor work with?
People who share at least 2 of Frank E. Taylor's MovieCove titles; Eli Wallach shares the most, 2.
- Eli WallachShared titles: Clark Gable: Tall, Dark and Handsome (1996), The Misfits (1961)See all 2 shared titles with Eli Wallach
