Graham Taylor
- Editor
- 3 on Motif
What are Graham Taylor's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 0 · Stylized 0 · Heightened 3
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 1 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Graham Taylor's films?
As of October 24, 2026, none of Graham Taylor's 3 Motif titles is streaming on a subscription or free service.
Subscription and free streaming for Graham Taylor's titles on Motif; rent and buy are not counted.
Filmography
3 credits, 3 with a Motif page.
Motif score: 81st percentile of all films
Motif score: 67th percentile of all films
Motif score: 61st percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 1981 to 1984.
Counts over their Motif titles; a title counts in every role they held on it.
How do Graham Taylor's films land?
Their typical Motif film has a Motif score in the 67th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
3 of their 3 titles are Crowd Pleasers.
- Crowd Pleaser3
Reviewers score the pacing 47/100 in their films, across 3 reviewed titles; fans 52, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Graham Taylor work with?
People who share at least 2 of Graham Taylor's Motif titles, grouped by what they did on them; Elijah Moshinsky shares the most, 3.
Directors
- Elijah MoshinskyShared titles: The Tragedy of Coriolanus (1984), A Midsummer Night's Dream (1981), All's Well That Ends Well (1981)See all 3 shared titles with Elijah Moshinsky
Writers
- William ShakespeareShared titles: The Tragedy of Coriolanus (1984), A Midsummer Night's Dream (1981), All's Well That Ends Well (1981)See all 3 shared titles with William Shakespeare
Actors
- Robert LindsayShared titles: A Midsummer Night's Dream (1981), All's Well That Ends Well (1981)See all 2 shared titles with Robert Lindsay
Composers
- Stephen OliverShared titles: The Tragedy of Coriolanus (1984), A Midsummer Night's Dream (1981), All's Well That Ends Well (1981)See all 3 shared titles with Stephen Oliver
Producers
- Jonathan MillerShared titles: A Midsummer Night's Dream (1981), All's Well That Ends Well (1981)See all 2 shared titles with Jonathan Miller
