Skip to content
MovieCove
Greg Taylor

Greg Taylor

Writer and producer

Works as
Writer and producer
Titles
9 on MovieCove · 11 credits in all
TMDB popularity, last 157 days to Oct 28Up 56% in 30 days

What are Greg Taylor's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 9 · Serious 0 · Dark 0

A split, not a type: Grounded 5 · Stylized 3 · Heightened 1

A split, not a type: Gentle 4 · Charged 5 · Intense 0

Steady 7 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 6 · Funny 1

Slow burn 6 · Even-paced 2 · Relentless 1

Casual 8 · Engaged 1 · Full focus 0

Resolved 9 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
7
Hopeful
7
Joyful
4
Thrilling
2
Bittersweet
2
Other
5

How their films end

  • Happy8
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Greg Taylor's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Greg Taylor's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 9 with a MovieCove page.

  • Midcredits score: 51st percentile of all films
  • Jumanji: Welcome to the Jungle(2017)

    Original Film Writer

    Midcredits score: 77th percentile of all films
  • Stealing Christmas(2003)

    Writer

    Midcredits score: 38th percentile of all films
  • Prancer Returns(2001)

    Producer · Writer

    Midcredits score: 42nd percentile of all films
  • Santa and Pete(1999)

    Co-Producer · Writer

    Midcredits score: 48th percentile of all films
  • The Christmas Wish (not in the MovieCove catalog yet)(1998)

    Teleplay

  • Summer of the Monkeys(1998)

    Screenplay

    Midcredits score: 56th percentile of all films
  • Harriet the Spy(1996)

    Story

    Midcredits score: 51st percentile of all films
  • The Christmas Box (not in the MovieCove catalog yet)(1995)

    Teleplay · Writer

  • Jumanji(1995)

    Screenplay

    Midcredits score: 86th percentile of all films
  • Prancer(1989)

    Co-Producer · Writer

    Midcredits score: 62nd percentile of all films

Career shape

A full career of 9 titles from 1989 to 2022.

By role

only this rolewith another role
Writing8 of 9: 7 only writing, 1 with another role · typical Midcredits score59thProducing2 of 9: 1 only producing, 1 with another role

By decade

1980s1 · crew1990s6 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Greg Taylor's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 9

Approval · how many liked their films

51stpercentile
Typical film, the median of 9

Reach · how many have seen their films

65thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th3

Reviewers score the dialogue 57/100 and the plot and story 49/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Greg Taylor's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 38 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 16 · mildMedian of all films: 32
Profanity4 titlesmedian 27 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 26 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 37 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Greg Taylor work with?

People who share at least 2 of Greg Taylor's MovieCove titles, grouped by what they did on them; Raffaella De Laurentiis shares the most, 4.

Writers

Producers