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Joseph Than

Writer, also producer

Works as
Writer, also producer
Titles
4 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 18% in 30 days

What are Joseph Than's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
56%
Morality
29%
Self
10%
Society
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 3

A split, not a type: Grounded 1 · Stylized 0 · Heightened 3

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
3
Tense
2
Melancholic
2
Bittersweet
1
Cathartic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joseph Than's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Joseph Than's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 4 with a MovieCove page.

  • Orient Express (not in the MovieCove catalog yet)(1954)

    Screenplay

  • Jeunes mariés (not in the MovieCove catalog yet)(1953)

    Writer

  • So Young, So Bad(1950)

    Writer

    Midcredits score: 42nd percentile of all films
  • The Pirate(1948)

    Additional Writing · Writer

    Midcredits score: 76th percentile of all films
  • Deception(1946)

    Writer

    Midcredits score: 81st percentile of all films
  • None Shall Escape (not in the MovieCove catalog yet)(1944)

    Story

  • Four Flights to Love(1939)

    Original Story · Producer · Screenplay

    Midcredits score: 61st percentile of all films
  • Madame Spy (not in the MovieCove catalog yet)(1934)

    Story

  • Under False Flag (not in the MovieCove catalog yet)(1932)

    Writer

  • The Daredevil (not in the MovieCove catalog yet)(1931)

    Screenplay

  • Manoeuver Time Is Fine (not in the MovieCove catalog yet)(1931)

    Screenplay

  • The President (not in the MovieCove catalog yet)(1928)

    Writer

  • Unter Ausschluß der Öffentlichkeit (not in the MovieCove catalog yet)(1927)

    Writer

  • Glanz und Elend der Kurtisanen (not in the MovieCove catalog yet)(1927)

    Screenplay

  • The Sweet Girl (not in the MovieCove catalog yet)(1926)

    Writer

Career shape

A full career of 14 titles from 1926 to 1954.

By role

only this rolewith another role
Writing13 of 14: 13 only writing, 0 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1920s4 · crew1930s5 · crew1940s3 · crew1950s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Joseph Than's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 4

Approval · how many liked their films

69thpercentile
Typical film, the median of 4

Reach · how many have seen their films

46thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed1

Reviewers score the dialogue 58/100 and the plot and story 39/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Joseph Than work with?

People who share at least 2 of Joseph Than's MovieCove titles; Paul Henreid shares the most, 2.