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David C. Thomas

Producer

Works as
Producer
Titles
14 on MovieCove · 16 credits in all
TMDB popularity, last 38 days to Oct 27Up 4% in 30 days

What are David C. Thomas' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 6 · Dark 6

Grounded 8 · Stylized 4 · Heightened 0

Gentle 0 · Charged 7 · Intense 5

Steady 5 · Shifting 6 · Whiplash 1

Straight-faced 11 · Some laughs 1 · Funny 0

Slow burn 6 · Even-paced 6 · Relentless 0

Casual 3 · Engaged 9 · Full focus 0

Resolved 9 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Dread
6
Melancholic
7
Thrilling
2
Warm
1
Other
3

How their films end · 2 with a twist

  • Happy3
  • Bittersweet5
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David C. Thomas' films?

As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for David C. Thomas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 14 with a MovieCove page.

  • Secret Cutting(2000)

    Producer

    Midcredits score: 50th percentile of all films
  • Carriers(1998)

    Producer

    Midcredits score: 23rd percentile of all films
  • Host(1998)

    Producer

    Midcredits score: 12th percentile of all films
  • Murder Live!(1997)

    Unit Production Manager

    Midcredits score: 56th percentile of all films
  • Tornado!(1996)

    Co-Producer · Unit Production Manager

    Midcredits score: 17th percentile of all films
  • Kansas City(1996)

    Producer

    Midcredits score: 51st percentile of all films
  • Midcredits score: 50th percentile of all films
  • Midcredits score: 9th percentile of all films
  • Dying to Love You(1993)

    Producer

    Midcredits score: 22nd percentile of all films
  • A Private Matter (not in the MovieCove catalog yet)(1992)

    Producer

  • Sometimes They Come Back(1991)

    Co-Producer · Second Unit Director · Unit Production Manager

    Midcredits score: 32nd percentile of all films
  • Out of the Dark(1988)

    Co-Producer · Unit Production Manager

    Midcredits score: 25th percentile of all films
  • Welcome to 18 (not in the MovieCove catalog yet)(1986)

    Producer · Production Manager

  • Stand Alone(1985)

    Co-Producer

    Midcredits score: 14th percentile of all films
  • The Howling(1981)

    Production Manager

    Midcredits score: 64th percentile of all films
  • Delusion(1981)

    Producer

    Midcredits score: 12th percentile of all films

Career shape

A full career of 12 titles from 1981 to 2000.

By role

only this rolewith another role
Producing10 of 12: 6 only producing, 4 with another role · typical Midcredits score24thOther crew6 of 12: 2 only other crew, 4 with another role · typical Midcredits score32nd

12 titles, 4 with more than one role — producing and other crew overlap on 4 of them.

By decade

1980s4 · crew1990s7 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do David C. Thomas' films land?

Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 14; across their 12 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 12

Approval · how many liked their films

19thpercentile
Typical film, the median of 12

Reach · how many have seen their films

47thpercentile
Typical film, the median of 12

Midcredits score across 14 titles, by percentile

  • 50th to 74th5
  • 25th to 49th2
  • Below 25th7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does David C. Thomas work with?

People who share at least 2 of David C. Thomas' MovieCove titles, grouped by what they did on them; Richard P. Kughn shares the most, 4.

Directors

Actors

Composers and cinematographers

Producers