Scott Thomas

What are Scott Thomas' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Scott Thomas' films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.

• Prime Video2 titles, browse their movies on this service
  • Blue Hill Avenue (2001) · producer
  • Silent Assassins (1988) · director · free
• Tubi2 titles, browse their movies on this service
  • Blue Hill Avenue (2001) · producer · free
  • The Immortalizer (1989) · actor · free
• AMC+1 title, browse their movies on this service
  • Flight of the Living Dead (2007) · director, writer, producer
• MGM+1 title, browse their movies on this service
  • The Immortalizer (1989) · actor
• The Roku Channel1 title, browse their movies on this service
  • Blue Hill Avenue (2001) · producer · free

Subscription and free streaming for Scott Thomas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 7 with a MovieCove page.

• 

  The Collection(2012)

  Second Assistant Director

  Midcredits score: 47th percentile of all films47^th
• 

  Whiskey Business (not in the MovieCove catalog yet)(2012)

  Writer
• 

  Flight of the Living Dead(2007)

  Director · Producer · Writer

  Midcredits score: 19th percentile of all films19^th
• 

  Latin Dragon(2004)

  Director · Producer · Screenplay

  Midcredits score: 9th percentile of all films9^th
• 

  Blue Hill Avenue(2001)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  The Immortalizer(1989)

  as Chauffeur

  Midcredits score: 8th percentile of all films8^th
• 

  The Color of Evening(1990)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Silent Assassins(1988)

  Co-Director

  Midcredits score: 15th percentile of all films15^th

Career shape

A full career of 6 titles from 1988 to 2012.

Biggest box office

Flight of the Living Dead (2007)

$344K worldwide

Highest rated

Blue Hill Avenue (2001)

Midcredits 60^th

Most popular right now

Flight of the Living Dead (2007)

How do Scott Thomas' films land?

Their typical MovieCove film has a Midcredits score in the 15^th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 18^th percentile for acclaim.

Shape of the crowd

7 of their 7 titles are Mixed.

7

• Mixed7

Most divisive · director, writer, producer

Latin Dragon (2004)

74^th percentile spread · 55% rated it 4 or lower

Most loved · producer

Blue Hill Avenue (2001)

Midcredits 60^th · 59% liked

Reviewers score the pacing 55/100 in their films, across 4 reviewed titles; fans 68, detractors 41. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Scott Thomas work with?

People who share at least 2 of Scott Thomas' MovieCove titles, grouped by what they did on them; David Shoshan shares the most, 3.