- Producer and writer
- 4 on MovieCove
What are Jack Thompson's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
A split, not a type: Ironic 1 · Wry 1 · Earnest 2
Light 4 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 1 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jack Thompson's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Jack Thompson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Stagecoach(1986)
Midcredits score: 45th percentile of all films
Record City(1977)
Midcredits score: 11th percentile of all films
Midcredits score: 71st percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1976 to 1986.
How do Jack Thompson's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of the 3 of 4 with a score; across a limited sample of 4 films with reception data, the typical film sits in the 31st percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the dialogue 35/100 and the plot and story 32/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jack Thompson work with?
People who share at least 2 of Jack Thompson's MovieCove titles, grouped by what they did on them; Bob Booker shares the most, 2.
Writers
- Bob BookerShared titles: 50 Years of Country Music (1978), The Paul Lynde Halloween Special (1976)See all 2 shared titles with Bob Booker
Actors
- Johnny CashShared titles: Stagecoach (1986), 50 Years of Country Music (1978)See all 2 shared titles with Johnny Cash
Editors
- Bill BreshearsShared titles: Record City (1977), The Paul Lynde Halloween Special (1976)See all 2 shared titles with Bill Breshears
Producers
- Raymond KatzShared titles: Stagecoach (1986), The Paul Lynde Halloween Special (1976)See all 2 shared titles with Raymond Katz
Mixed roles
- Joe ByrneShared titles: Record City (1977), The Paul Lynde Halloween Special (1976)See all 2 shared titles with Joe Byrne
