Heather Greenwood
- Producer
- 11 on MovieCove · 18 credits in all
What are Heather Greenwood's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Society and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 8 · Serious 1 · Dark 0
Grounded 7 · Stylized 2 · Heightened 0
Gentle 4 · Charged 4 · Intense 1
Steady 7 · Shifting 1 · Whiplash 1
Straight-faced 4 · Some laughs 4 · Funny 1
A split, not a type: Slow burn 5 · Even-paced 3 · Relentless 1
Casual 7 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 2 · Heavy 1
Resolved 8 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet5
- Ambiguous1
- Cyclical2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Heather Greenwood's films?
As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Heather Greenwood's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 11 with a MovieCove page.
Boundless(2022)
Midcredits score: 44th percentile of all shows
Midcredits score: 97th percentile of all films
Midcredits score: 83rd percentile of all films
Phenoms(2018)
Midcredits score: 58th percentile of all shows (provisional, few ratings)
Sam Smith: On the Record(2017)
Forbidden Games: The Justin Fashanu Story (not in the MovieCove catalog yet)(2017)
House of Flying Arrows (not in the MovieCove catalog yet)(2016)
I Am Bolt(2016)
Midcredits score: 85th percentile of all films
Midcredits score: 85th percentile of all films
Level Up(2016)
Midcredits score: 9th percentile of all films
White Island(2016)
Midcredits score: 5th percentile of all films
Midcredits score: 95th percentile of all films
The Class of '92(2013)
Midcredits score: 96th percentile of all films152 Days (not in the MovieCove catalog yet)
Angels in the Asylum (not in the MovieCove catalog yet)
Benn/Eubank (not in the MovieCove catalog yet)
Mary's Monster (not in the MovieCove catalog yet)
The 12 Days of Christmas (not in the MovieCove catalog yet)
Career shape
A full career of 11 titles, 6 of them dated from 2014 to 2022.
How do Heather Greenwood's films land?
Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of the 8 of 9 with a score; across their 9 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up6
- 50th to 74th1
- 25th to 49th1
- Below 25th2
Shape of the crowd
4 of their 10 titles are Mixed.
- Universally Loved2
- Divisive1
- Crowd Pleaser3
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Heather Greenwood work with?
People who share at least 2 of Heather Greenwood's MovieCove titles, grouped by what they did on them; Leo Pearlman shares the most, 9.
Directors
- Ben TurnerShared titles: Hitsville: The Making of Motown (2019), After the Screaming Stops (2018), Phenoms (2018), Sam Smith: On the Record (2017), I Am Bolt (2016), White Island (2016), The Class of '92 (2013)See all 7 shared titles with Ben Turner
- Gabe TurnerShared titles: Hitsville: The Making of Motown (2019), After the Screaming Stops (2018), Phenoms (2018), I Am Bolt (2016), Jimmy Carr: Funny Business (2016), The Class of '92 (2013)See all 6 shared titles with Gabe Turner
Composers and editors
- Ian ArberShared titles: Hitsville: The Making of Motown (2019), After the Screaming Stops (2018), I Am Bolt (2016)See all 3 shared titles with Ian Arber
- Paul MonaghanShared titles: Hitsville: The Making of Motown (2019), I Am Bolt (2016), The Class of '92 (2013)See all 3 shared titles with Paul Monaghan
- Dave RowntreeShared titles: After the Screaming Stops (2018), White Island (2016)See all 2 shared titles with Dave Rowntree
- Will GilbeyShared titles: After the Screaming Stops (2018), White Island (2016)See all 2 shared titles with Will Gilbey
Producers
- Leo PearlmanShared titles: Boundless (2022), Hitsville: The Making of Motown (2019), After the Screaming Stops (2018), Phenoms (2018), I Am Bolt (2016), Jimmy Carr: Funny Business (2016), Level Up (2016), White Island (2016), The Class of '92 (2013)See all 9 shared titles with Leo Pearlman
- Ben WinstonShared titles: After the Screaming Stops (2018), Sam Smith: On the Record (2017), I Am Bolt (2016), Jimmy Carr: Funny Business (2016), Level Up (2016), White Island (2016), One Direction: Where We Are - The Concert Film (2014), The Class of '92 (2013)See all 8 shared titles with Ben Winston
- David SoutarShared titles: After the Screaming Stops (2018), I Am Bolt (2016), One Direction: Where We Are - The Concert Film (2014), The Class of '92 (2013)See all 4 shared titles with David Soutar
- Danny PottsShared titles: Level Up (2016), White Island (2016)See all 2 shared titles with Danny Potts