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Ant Timpson

Ant Timpson

Producer, writer and director · Auckland, New Zealand

Since the mid '80s Timpson has worked in every facet of the film industry; from managing an arthouse, programming for MGM, creating short film events, running drive-ins to producing television and feature films, operating devolved government film funds and mentoring filmmakers. His distribution company released specialist fare starting with Slacker in 1993. He launched the The Incredibly Strange Film Festival in 1994 that merged with the New Zealand International Film Festival. His national film competition 48HOURS with Peter Jackson as mentor began in 2003 and exposed talent such as Taika Waititi (Jo Jo Rabbit), Roseanne Liang (Shadow in the Cloud) and Gerard Johnstone (M3GAN). As a producer he created the hit horror anthology series The ABCs of Death (TIFF 2013) and the following features The Devil Dared Me To (SXSW 2006), Housebound (SXSW 14), Turbo Kid (Sundance 15), Deathgasm (SXSW 15), The Greasy Strangler (Sundance 16) & The Field Guide to Evil (SXSW 18), Censor (Tribeca 21), Mister Organ (22), Family Dinner (Tribeca 22). He recently directed the critically acclaimed feature Come to Daddy (Tribeca 2020) starring Elijah Wood. He recently directed Bookworm (2024) EP'd , She Loved Blossoms More (2024) and Ebony & Ivory (2025) and God Bless You Mr Kopu (2027), When Darkness Loves Us (2027). He was the inaugural recipient of New Zealand’s Art Entrepreneur Award and was a Board member of the New Zealand Film Commission. His 35mm print archive is the largest personal film archive in the Southern Hemisphere.

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Biography from TMDB.

From
Auckland, New Zealand
Works as
Producer, writer and director
Titles
15 on MovieCove · 25 credits in all
TMDB popularity, last 155 days to Oct 26Up 11% in 30 days

What are Ant Timpson's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 3 · Wry 3 · Earnest 7

A split, not a type: Light 6 · Serious 5 · Dark 3

A split, not a type: Grounded 3 · Stylized 5 · Heightened 6

A split, not a type: Gentle 1 · Charged 3 · Intense 10

Steady 1 · Shifting 7 · Whiplash 6

Straight-faced 2 · Some laughs 7 · Funny 5

Slow burn 4 · Even-paced 7 · Relentless 3

A split, not a type: Casual 7 · Engaged 5 · Full focus 2

A split, not a type: Resolved 5 · Open-ended 4 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
11
Tense
10
Dread
8
Thrilling
3
Contemplative
3
Other
7

How their films end · 3 with a twist

  • Happy1
  • Bittersweet6
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ant Timpson's films?

As of October 24, 2026, 13 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Ant Timpson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 15 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • God Bless You, Mr. Kopu (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • She Loved Blossoms More(2024)

    Executive Producer

    Midcredits score: 23rd percentile of all films
  • Ebony and Ivory(2024)

    Producer

    Midcredits score: 26th percentile of all films
  • Bookworm(2024)

    Director · Executive Producer · Story

    Midcredits score: 49th percentile of all films
  • Family Dinner(2022)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • Mister Organ(2022)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • Censor(2021)

    Executive Producer

    Midcredits score: 41st percentile of all films
  • Midcredits score: 14th percentile of all films
  • Come to Daddy(2019)

    Director · Executive Producer · Idea

    Midcredits score: 40th percentile of all films
  • ABCs of Death 2.5(2016)

    Executive Producer

    Midcredits score: 10th percentile of all films
  • The Greasy Strangler(2016)

    Producer

    Midcredits score: 44th percentile of all films
  • Deathgasm(2015)

    Executive Producer · as Blood Vomitter

    Midcredits score: 57th percentile of all films
  • Turbo Kid(2015)

    Producer

    Midcredits score: 73rd percentile of all films
  • ABCs of Death 2(2014)

    Idea · Producer

    Midcredits score: 23rd percentile of all films
  • Housebound(2014)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • The ABCs of Death(2012)

    Idea · Producer

    Midcredits score: 11th percentile of all films
  • How to Meet Girls from a Distance (not in the MovieCove catalog yet)(2012)

    Executive Producer

  • The Jaquie Brown Diaries (not in the MovieCove catalog yet)(2008)

    Show 1 episode · as Security Guard

  • A Song of Good (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • The Devil Dared Me To (not in the MovieCove catalog yet)(2007)

    Executive Producer · as Speedway Announcer (voice)

  • Crab Boy (not in the MovieCove catalog yet)(1996)

    Director · Writer

  • Kitchen Sink (not in the MovieCove catalog yet)(1989)

    Special Effects Makeup Artist

  • Queen City Rocker (not in the MovieCove catalog yet)(1986)

    Assistant Director Trainee

  • The Salamander Lives Twice (not in the MovieCove catalog yet)

    Director · Executive Producer · Story

  • When Darkness Loves Us (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 25 titles, 23 of them dated from 1986 to 2026.

Film career

By role

only this rolewith another role
Acting3 of 25: 1 only acting, 2 with another roleDirecting4 of 25: 0 only directing, 4 with another roleWriting6 of 25: 0 only writing, 6 with another roleProducing21 of 25: 14 only producing, 7 with another role · typical Midcredits score40thOther crew2 of 25: 2 only other crew, 0 with another role

25 titles, 8 with more than one role — producing and writing overlap on 5 of them.

By decade

1980s2 · crew1990s1 · crew2000s3 · 2 acting · 2 crew2010s10 · 1 acting · 10 crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ant Timpson's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 14

Approval · how many liked their films

37thpercentile
Typical film, the median of 14

Reach · how many have seen their films

88thpercentile
Typical film, the median of 14

Midcredits score across 15 titles, by percentile

  • 50th to 74th4
  • 25th to 49th6
  • Below 25th5

Reviewers score the dialogue 50/100 and the plot and story 39/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ant Timpson's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles79–95 · median 89 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles20–83 · median 63 · intenseheavier than most filmsMedian of all films: 32
Profanity8 titles53–93 · median 77 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles21–69 · median 31 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles50–84 · median 74 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ant Timpson work with?

People who share at least 2 of Ant Timpson's MovieCove titles, grouped by what they did on them; Toby Harvard shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles