Masashi Todayama
- Writer
- 3 on MovieCove
Known for
What are Masashi Todayama's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Masashi Todayama's films?
As of October 26, 2026, none of Masashi Todayama's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Masashi Todayama's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Udon(2006)
Midcredits score: 65th percentile of all films
Blood Gets in Your Eyes(2005)
Midcredits score: 38th percentile of all films
Satorare(2001)
Midcredits score: 66th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2001 to 2006.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Masashi Todayama's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Reviewers score the plot and story 43/100 in their films, across 3 reviewed titles; fans 62, detractors 28. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Masashi Todayama work with?
People who share at least 2 of Masashi Todayama's MovieCove titles, grouped by what they did on them; Katsuyuki Motohiro shares the most, 2.
Directors
- Katsuyuki MotohiroShared titles: Udon (2006), Satorare (2001)See all 2 shared titles with Katsuyuki Motohiro
Actors
- Fumiyo KohinataShared titles: Udon (2006), Blood Gets in Your Eyes (2005)See all 2 shared titles with Fumiyo Kohinata
- Kyôka SuzukiShared titles: Udon (2006), Satorare (2001)See all 2 shared titles with Kyôka Suzuki
Composers and editors
- Takuya TaguchiShared titles: Udon (2006), Satorare (2001)See all 2 shared titles with Takuya Taguchi
- Toshiyuki WatanabeShared titles: Udon (2006), Satorare (2001)See all 2 shared titles with Toshiyuki Watanabe
