- January 18, 1903
- February 7, 1981 (aged 78)
- Szeged, Hungary
- Writer, also actor and producer
- 3 on MovieCove · 26 credits in all
What are Ákos Tolnay's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ákos Tolnay's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ákos Tolnay's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 3 with a MovieCove page.

The White Warrior (not in the MovieCove catalog yet)(1959)

Dubrovsky (not in the MovieCove catalog yet)(1959)

A Parisian in Rome (not in the MovieCove catalog yet)(1954)

Voice of Silence (not in the MovieCove catalog yet)(1953)

The Golden Madonna(1949)
Midcredits score: 50th percentile of all films (provisional, few ratings)
Altura (not in the MovieCove catalog yet)(1949)
Call Of The Blood (not in the MovieCove catalog yet)(1948)

Rome, Open City(1945)
Midcredits score: 98th percentile of all films
Due cuori fra le belve(1943)
Midcredits score: 21st percentile of all filmsMadrid de mis sueños (not in the MovieCove catalog yet)(1942)

La famiglia Brambilla in vacanza (not in the MovieCove catalog yet)(1941)

Villa da vendere (not in the MovieCove catalog yet)(1941)

Il chiromante (not in the MovieCove catalog yet)(1941)

Caravaggio, il pittore maledetto (not in the MovieCove catalog yet)(1941)
Il sogno di tutti (not in the MovieCove catalog yet)(1940)

Alessandro, sei grande! (not in the MovieCove catalog yet)(1940)

La gerla di papà Martin (not in the MovieCove catalog yet)(1940)
Pasha's Wives (not in the MovieCove catalog yet)(1939)

Return of a Stranger (not in the MovieCove catalog yet)(1937)

Thunder in the City (not in the MovieCove catalog yet)(1937)
The Wife of General Ling (not in the MovieCove catalog yet)(1937)

Elephant Boy (not in the MovieCove catalog yet)(1937)

Wings over Africa (not in the MovieCove catalog yet)(1936)

Ball at Savoy (not in the MovieCove catalog yet)(1936)

Drake of England (not in the MovieCove catalog yet)(1935)

The Scandal (not in the MovieCove catalog yet)(1934)
Career shape
A full career of 26 titles from 1934 to 1959.
Film career
- 1945Screen debut· Rome, Open City
How do Ákos Tolnay's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Reviewers score the plot and story 49/100 in their films, across 3 reviewed titles; fans 65, detractors 33. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ákos Tolnay work with?
People who share at least 2 of Ákos Tolnay's MovieCove titles; Claudio Ermelli shares the most, 2.
- Claudio ErmelliShared titles: The Golden Madonna (1949), Due cuori fra le belve (1943)See all 2 shared titles with Claudio Ermelli

