Carole Tomko

What are Carole Tomko's films like?

Across their 13 Motif titles with a thematic analysis, their films lean Survival and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carole Tomko's films?

As of October 24, 2026, 10 of their 13 Motif titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Racing Extinction (2015) · producer · free
  • Ocean Warriors (2016) · producer · free
  • Fatal Watch (2025) · producer · free
• Curiosity Stream2 titles
  • Oliver Sacks: His Own Life (2019) · producer
  • Unsinkable: Japan's Lost Battleship (2020) · producer
• Netflix2 titles, browse their movies on this service
  • The Ivory Game (2016) · producer
  • The Plastic Detox (2026) · producer
• discovery+1 title
  • Ocean Warriors (2016) · producer
• Fandor1 title, browse their movies on this service
  • Racing Extinction (2015) · producer
• Prime Video1 title, browse their movies on this service
  • Meerkat Manor: The Story Begins (2008) · producer

Subscription and free streaming for Carole Tomko's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a Motif page.

• 

  The Plastic Detox(2026)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Fatal Watch(2025)

  Producer

  Midcredits score: 78th percentile of all films (provisional, few ratings)~78^th
• 

  The Reason I Jump(2020)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Unsinkable: Japan's Lost Battleship(2020)

  Producer

  Midcredits score: 57th percentile of all films (provisional, few ratings)~57^th
• 

  Oliver Sacks: His Own Life(2019)

  Producer

  Midcredits score: 96th percentile of all films96^th
• 

  Step(2017)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Unseen Enemy(2017)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Midsummer in Newtown(2016)

  Producer

  Midcredits score: 67th percentile of all films (provisional, few ratings)~67^th
• 

  Ocean Warriors(2016)

  Show Producer

  Midcredits score: 81st percentile of all shows81^st
• 

  The Ivory Game(2016)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Racing Extinction(2015)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  We the Economy: 20 Short Films You Can't Afford to Miss(2014)

  Producer

  Midcredits score: 19th percentile of all films19^th
• 

  Meerkat Manor: The Story Begins(2008)

  Producer

  Midcredits score: 70th percentile of all films70^th

Career shape

Across their 13 Motif titles from 2008 to 2026.

Biggest box office

Step (2017)

$1.2M worldwide

Highest rated

Racing Extinction (2015)

Midcredits 97^th

Most popular right now

Unseen Enemy (2017)

How do Carole Tomko's films land?

Their typical Motif film has a Midcredits score in the 83^rd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 89^th percentile for acclaim.

Shape of the crowd

4 of their 13 titles are Crowd Pleasers.

343

• Universally Loved3
• Loved with Detractors1
• Divisive1
• Cult Classic1
• Crowd Pleaser4
• Mixed3

Most divisive · producer

Midsummer in Newtown (2016)

92^nd percentile spread · 38% rated it 4 or lower

Most loved · producer

Racing Extinction (2015)

Midcredits 97^th · 88% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carole Tomko work with?

People who share at least 2 of Carole Tomko's Motif titles, grouped by what they did on them; Paul Allen shares the most, 10.