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Giorgio Tonti

Cinematographer

Works as
Cinematographer
Titles
7 on MovieCove · 29 credits in all
TMDB popularity, last 38 days to Oct 27Down 23% in 30 days

What are Giorgio Tonti's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
34%
Self
28%
Power
22%
Morality
7%
Bonds
6%
Society
3%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 0 · Earnest 3

A split, not a type: Light 3 · Serious 1 · Dark 1

Grounded 2 · Stylized 2 · Heightened 1

Gentle 2 · Charged 2 · Intense 1

A split, not a type: Steady 3 · Shifting 1 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 1

Slow burn 2 · Even-paced 2 · Relentless 1

Casual 3 · Engaged 2 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
2
Melancholic
3
Contemplative
2
Cold
1
Joyful
1
Other
4

How their films end

  • Bittersweet2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giorgio Tonti's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Giorgio Tonti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 7 with a MovieCove page.

  • Anna Rosenberg (not in the MovieCove catalog yet)(2020)

    Cinematographer

  • One Man Band (not in the MovieCove catalog yet)(1999)

    Cinematographer

  • Rosabella - La storia italiana di Orson Welles (not in the MovieCove catalog yet)(1993)

    Actor

  • Don Quixote(1992)

    Cinematographer

    Midcredits score: 49th percentile of all films
  • Intimate Power(1989)

    Cinematographer

    Midcredits score: 11th percentile of all films
  • Journey to Krull (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Ashanti(1979)

    Camera Operator

    Midcredits score: 20th percentile of all films
  • Per vivere meglio, divertitevi con noi (not in the MovieCove catalog yet)(1978)

    Camera Operator

  • Le braghe del padrone (not in the MovieCove catalog yet)(1978)

    Camera Operator

  • L'Italia in pigiama (not in the MovieCove catalog yet)(1977)

    Cinematographer

  • Miracles Still Happen (not in the MovieCove catalog yet)(1974)

    Cinematographer

  • Redneck(1973)

    Cinematographer

    Midcredits score: 21st percentile of all films
  • My Horse, My Gun, Your Widow (not in the MovieCove catalog yet)(1972)

    Cinematographer

  • It Can Be Done Amigo(1972)

    Camera Operator

    Midcredits score: 32nd percentile of all films
  • Ready, Willing and Able(1971)

    Cinematographer

    Midcredits score: 10th percentile of all films
  • Jailbreak in Hamburg (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Web of Deception (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • The Resort Girls (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Swinging Wives (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Heute(1970)

    Cinematographer

    Midcredits score: 11th percentile of all films (provisional, few ratings)
  • The Merchant of Venice (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • In Search of Gregory (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Vienna (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Catch As Catch Can (not in the MovieCove catalog yet)(1967)

    Camera Operator

  • Un colpo da Re (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • A... For Assassin (not in the MovieCove catalog yet)(1966)

    Camera Operator

  • Lo smemorato di Collegno (not in the MovieCove catalog yet)(1962)

    Second Assistant Camera

  • The Four Monks (not in the MovieCove catalog yet)(1962)

    Second Assistant Camera

  • India: Matri Bhumi (not in the MovieCove catalog yet)(1960)

    Assistant Camera

Career shape

A full career of 29 titles from 1960 to 2020.

By role

only this rolewith another role
Acting1 of 29: 1 only acting, 0 with another roleCinematography19 of 29: 19 only cinematography, 0 with another role · typical Midcredits score11thOther crew9 of 29: 9 only other crew, 0 with another role

By decade

1960s9 · crew1970s14 · crew1980s2 · crew1990s3 · 1 acting · 2 crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Giorgio Tonti's films land?

Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 5

Approval · how many liked their films

20thpercentile
Typical film, the median of 5

Reach · how many have seen their films

24thpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 25th to 49th2
  • Below 25th5

Reviewers score the cinematography 45/100 in their films, across 4 reviewed titles; fans 54, detractors 34. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giorgio Tonti work with?

People who share at least 2 of Giorgio Tonti's MovieCove titles; Alessandro Tasca shares the most, 2.