Giorgio Tonti
- Cinematographer
- 7 on MovieCove · 29 credits in all
What are Giorgio Tonti's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Self.
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 3
A split, not a type: Light 3 · Serious 1 · Dark 1
Grounded 2 · Stylized 2 · Heightened 1
Gentle 2 · Charged 2 · Intense 1
A split, not a type: Steady 3 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 1
Casual 3 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Giorgio Tonti's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Giorgio Tonti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 7 with a MovieCove page.

Anna Rosenberg (not in the MovieCove catalog yet)(2020)

One Man Band (not in the MovieCove catalog yet)(1999)

Rosabella - La storia italiana di Orson Welles (not in the MovieCove catalog yet)(1993)

Don Quixote(1992)
Midcredits score: 49th percentile of all films
Intimate Power(1989)
Midcredits score: 11th percentile of all filmsJourney to Krull (not in the MovieCove catalog yet)(1983)

Ashanti(1979)
Midcredits score: 20th percentile of all films
Per vivere meglio, divertitevi con noi (not in the MovieCove catalog yet)(1978)

Le braghe del padrone (not in the MovieCove catalog yet)(1978)

L'Italia in pigiama (not in the MovieCove catalog yet)(1977)

Miracles Still Happen (not in the MovieCove catalog yet)(1974)

Redneck(1973)
Midcredits score: 21st percentile of all films
My Horse, My Gun, Your Widow (not in the MovieCove catalog yet)(1972)

It Can Be Done Amigo(1972)
Midcredits score: 32nd percentile of all films
Ready, Willing and Able(1971)
Midcredits score: 10th percentile of all films
Jailbreak in Hamburg (not in the MovieCove catalog yet)(1971)

Web of Deception (not in the MovieCove catalog yet)(1971)

The Resort Girls (not in the MovieCove catalog yet)(1971)

Swinging Wives (not in the MovieCove catalog yet)(1971)

Heute(1970)
Midcredits score: 11th percentile of all films (provisional, few ratings)
The Merchant of Venice (not in the MovieCove catalog yet)(1969)

In Search of Gregory (not in the MovieCove catalog yet)(1969)

Vienna (not in the MovieCove catalog yet)(1968)

Catch As Catch Can (not in the MovieCove catalog yet)(1967)

Un colpo da Re (not in the MovieCove catalog yet)(1967)

A... For Assassin (not in the MovieCove catalog yet)(1966)

Lo smemorato di Collegno (not in the MovieCove catalog yet)(1962)

The Four Monks (not in the MovieCove catalog yet)(1962)

India: Matri Bhumi (not in the MovieCove catalog yet)(1960)
Career shape
A full career of 29 titles from 1960 to 2020.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Giorgio Tonti's films land?
Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 10th percentile for acclaim.
- 25th to 49th2
- Below 25th5
Shape of the crowd
5 of their 7 titles are Mixed.
- Divisive1
- Broadly Agreed1
- Mixed5
Reviewers score the cinematography 45/100 in their films, across 4 reviewed titles; fans 54, detractors 34. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Giorgio Tonti work with?
People who share at least 2 of Giorgio Tonti's MovieCove titles; Alessandro Tasca shares the most, 2.
- Alessandro TascaShared titles: Don Quixote (1992), Redneck (1973)See all 2 shared titles with Alessandro Tasca



