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John Trent

Director, producer and writer · Died June 3, 1983, aged 48 · London, United Kingdom

John Trent (1935, London - June 3, 1983, Snelgrove, Ontario, Canada) was a British-born Canadian film director. He directed such films as Homer, Middle Age Crazy, and It Seemed Like a Good Idea at the Time. Before working in feature films, Trent worked in Canadian television in the 1960s, directing episodes of such popular CBC series as Quentin Durgens, M.P. and Wojeck, based on the career of the controversial Dr. Morton Shulman, then Toronto’s chief coroner. In addition to producing his own films, his company Quadrant Films also produced such fare as Bob Clark's vampire horror film Deathdream. Trent died in a road accident while returning from delivering his son, who was the Ontario Under 16 show-jumping champion, to an event. He was killed by a police car which came around a bend on the wrong side, and hit his compact Cadillac head-on.

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Biography from TMDB.

Born
January 1, 1935
Died
June 3, 1983 (aged 48)
From
London, United Kingdom
Works as
Director, producer and writer
Titles
5 on MovieCove · 15 credits in all
TMDB popularity, last 39 days to Oct 28Down 7% in 30 days

What are John Trent's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
34%
Survival
34%
Self
21%
Bonds
7%
Ideas
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 4

Grounded 4 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 3

A split, not a type: Steady 3 · Shifting 1 · Whiplash 1

Straight-faced 5 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 4

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
3
Tense
2
Melancholic
2
Contemplative
2
Cold
1
Other
2

How their films end · 1 with a twist

  • Bittersweet2
  • Tragic2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Trent's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for John Trent's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 5 with a MovieCove page.

  • Best Revenge (not in the MovieCove catalog yet)(1984)

    Director

  • Freddie the Freeloader's Christmas Dinner (not in the MovieCove catalog yet)(1981)

    Director

  • Middle Age Crazy (not in the MovieCove catalog yet)(1980)

    Director

  • The Phoenix Team (not in the MovieCove catalog yet)(1980)

    Show 1 episode · Director

  • Crossbar(1979)

    Director

    Midcredits score: 39th percentile of all films
  • Find the Lady (not in the MovieCove catalog yet)(1976)

    Director · Producer · Writer

  • For the Record (not in the MovieCove catalog yet)(1976)

    Show 11 episodes · Director

  • It Seemed Like a Good Idea at the Time (not in the MovieCove catalog yet)(1975)

    Director · Writer

  • Sunday in the Country(1974)

    Director · Screenplay

    Midcredits score: 51st percentile of all films
  • Blue Blood (not in the MovieCove catalog yet)(1974)

    Producer

  • Dead of Night(1974)

    Producer

    Midcredits score: 67th percentile of all films
  • Chelsea D.H.O. (not in the MovieCove catalog yet)(1973)

    Director

  • Midcredits score: 25th percentile of all films (provisional, few ratings)
  • Homer(1970)

    Director

    Midcredits score: 39th percentile of all films (provisional, few ratings)
  • The Bushbaby (not in the MovieCove catalog yet)(1969)

    Director · Producer

Career shape

A full career of 15 titles from 1969 to 1984.

By role

only this rolewith another role
Directing13 of 15: 9 only directing, 4 with another roleWriting3 of 15: 0 only writing, 3 with another roleProducing4 of 15: 2 only producing, 2 with another role

15 titles, 4 with more than one role — directing and producing overlap on 2 of them.

By decade

1960s1 · crew1970s10 · crew1980s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do John Trent's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 5

Approval · how many liked their films

44thpercentile
Typical film, the median of 5

Reach · how many have seen their films

17thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 50th to 74th2
  • 25th to 49th3

Reviewers score the atmosphere 73/100 in their films, across 3 reviewed titles; fans 76, detractors 53. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John Trent work with?

People who share at least 2 of John Trent's MovieCove titles, grouped by what they did on them; Murray Westgate shares the most, 3.

Actors

Cinematographers and editors

Producers