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Nadine Trintignant

Director, writer, editor and producer

Works as
Director, writer, editor and producer
Titles
5 on MovieCove

What are Nadine Trintignant's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
30%
Morality
25%
Bonds
23%
Ideas
18%
Society
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 0 · Dark 2

Grounded 2 · Stylized 3 · Heightened 0

Gentle 2 · Charged 3 · Intense 0

Steady 4 · Shifting 0 · Whiplash 1

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Warm
3
Melancholic
1
Tense
1
Hopeful
1
Other
3

How their films end

  • Happy1
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nadine Trintignant's films?

As of October 27, 2026, none of Nadine Trintignant's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Nadine Trintignant's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

  • Lumière and Company(1995)

    Director

    Midcredits score: 72nd percentile of all films
  • Premier voyage(1980)

    Director · Writer

    Midcredits score: 31st percentile of all films (provisional, few ratings)
  • It Only Happens to Others(1971)

    Director · Writer

    Midcredits score: 53rd percentile of all films
  • Crime Thief(1969)

    Director · Producer · Writer

    Midcredits score: 34th percentile of all films
  • L'Eau à la bouche(1960)

    Editor

    Midcredits score: 39th percentile of all films

Career shape

Across their 5 MovieCove titles from 1960 to 1995.

By role

only this rolewith another role
Directing4 of 5: 1 only directing, 3 with another roleWriting3 of 5: 0 only writing, 3 with another roleProducing1 of 5: 0 only producing, 1 with another roleEditing1 of 5: 1 only editing, 0 with another role

5 titles, 3 with more than one role — directing and writing overlap on 3 of them.

By decade

1960s2 · crew1970s1 · crew1980s1 · crew1990s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Nadine Trintignant's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 5

Approval · how many liked their films

39thpercentile
Typical film, the median of 5

Reach · how many have seen their films

36thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 50th to 74th2
  • 25th to 49th3

Shape of the crowd

None of their 5 titles divides audiences: 3 are Mixed.

  • Crowd Pleaser2
  • Mixed3

Reviewers score the atmosphere 70/100 and the pacing 40/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nadine Trintignant work with?

People who share at least 2 of Nadine Trintignant's MovieCove titles, grouped by what they did on them; Benoît Ferreux shares the most, 2.

Actors

Cinematographers and editors

Mixed roles