Man Keung Cho

What are Man Keung Cho's films like?

Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Man Keung Cho's films?

As of October 24, 2026, 5 of their 10 Motif titles stream on a subscription or free service, most on The Criterion Channel (3).

• The Criterion Channel3 titles, browse their movies on this service
  • Infernal Affairs (2002) · focus puller
  • City on Fire (1987) · focus puller
  • Once Upon a Time in China III (1992) · cinematographer
• HBO Max2 titles, browse their movies on this service
  • Infernal Affairs (2002) · focus puller
  • Once Upon a Time in China III (1992) · cinematographer
• Tubi2 titles, browse their movies on this service
  • The Grandmaster (2013) · actor · free
  • Kung Fu Monster (2018) · cinematographer · free
• Pluto TV1 title, browse their movies on this service
  • Kung Fu Monster (2018) · cinematographer · free
• The Roku Channel1 title, browse their movies on this service
  • Infernal Affairs (2002) · focus puller · free

Subscription and free streaming for Man Keung Cho's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a Motif page.

• 

  Kung Fu Monster(2018)

  Cinematographer

  Midcredits score: 11th percentile of all films11^th
• 

  From Vegas to Macau II(2015)

  Cinematographer

  Midcredits score: 9th percentile of all films9^th
• 

  From Vegas to Macau(2014)

  Cinematographer

  Midcredits score: 14th percentile of all films14^th
• 

  The Grandmaster(2013)

  as Cho Man

  Midcredits score: 71st percentile of all films71^st
• 

  Infernal Affairs(2002)

  Focus Puller

  Midcredits score: 98th percentile of all films98^th
• 

  The Conman (not in the Motif catalog yet)(1998)

  Focus Puller
• 

  The Longest Nite(1997)

  Focus Puller

  Midcredits score: 86th percentile of all films86^th
• 

  1941 Hong Kong on Fire(1994)

  Cinematographer

  Midcredits score: 22nd percentile of all films22^nd
• 

  Once Upon a Time in China IV(1993)

  Cinematographer

  Midcredits score: 37th percentile of all films37^th
• 

  Once Upon a Time in China III(1992)

  Cinematographer

  Midcredits score: 73rd percentile of all films73^rd
• 

  City on Fire(1987)

  Focus Puller

  Midcredits score: 87th percentile of all films87^th

Career shape

A full career of 8 titles from 1987 to 2014.

Biggest box office

From Vegas to Macau II (2015)

$164M worldwide

Highest rated

From Vegas to Macau (2014)

Midcredits 14^th

Most popular right now

From Vegas to Macau II (2015)

How do Man Keung Cho's films land?

Their typical Motif film has a Midcredits score in the 54^th percentile, the median of all 10; across a limited sample of 4 films with reception data, the typical film sits in the 19^th percentile for acclaim.

Shape of the crowd

4 of their 10 titles are Crowd Pleasers.

43

• Universally Loved1
• Universally Panned1
• Crowd Pleaser4
• Broadly Agreed1
• Mixed3

Most divisive · cinematographer

Kung Fu Monster (2018)

80^th percentile spread · 54% rated it 4 or lower

Most loved · cinematographer

Once Upon a Time in China III (1992)

Midcredits 73^rd · 65% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Man Keung Cho work with?

People who share at least 2 of Man Keung Cho's Motif titles, grouped by what they did on them; Wai Keung Lau shares the most, 4.