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Hisakazu Tsuji

Producer and writer · Died January 3, 1981, aged 66 · Nishinomiya, Hyogo Prefecture, Japan

Born
March 18, 1914
Died
January 3, 1981 (aged 66)
From
Nishinomiya, Hyogo Prefecture, Japan
Works as
Producer and writer
Titles
5 on MovieCove · 42 credits in all
TMDB popularity, last 38 days to Oct 27Up 58% in 30 days

What are Hisakazu Tsuji's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
62%
Bonds
19%
Power
12%
Survival
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 0 · Stylized 3 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 2 · Full focus 1

Easy watch 0 · Affecting 0 · Heavy 3

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Bittersweet
2
Dread
1
Cathartic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hisakazu Tsuji's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).

Subscription and free streaming for Hisakazu Tsuji's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 5 with a MovieCove page.

  • Prison Break (not in the MovieCove catalog yet)(1969)

    Producer

  • Samaritan Zatoichi(1968)

    Producer

    Midcredits score: 85th percentile of all films
  • Lone Wolf Isazo (not in the MovieCove catalog yet)(1968)

    Producer

  • The Wife of Seishu Hanaoka (not in the MovieCove catalog yet)(1967)

    Production Coordinator

  • Rampaging Dog (not in the MovieCove catalog yet)(1965)

    Writer

  • Shinsengumi Chronicles (not in the MovieCove catalog yet)(1963)

    Producer

  • Kumoemon to sono tsuma (not in the MovieCove catalog yet)(1962)

    Screenplay

  • Oniisan to oneesan (not in the MovieCove catalog yet)(1961)

    Writer

  • Zenigata Heiji Case Files: Enma's Nightly Ledger (not in the MovieCove catalog yet)(1961)

    Screenplay

  • The Woman and the Pirate (not in the MovieCove catalog yet)(1959)

    Production Coordinator

  • The Loyal 47 Ronin(1958)

    Producer

    Midcredits score: 79th percentile of all films
  • Love of the Princess (not in the MovieCove catalog yet)(1957)

    Producer

  • Manzai chōchin (not in the MovieCove catalog yet)(1956)

    Producer

  • Komusō henka: Tsubanari kaidō (not in the MovieCove catalog yet)(1956)

    Producer

  • Three Women Around Yoshinaka (not in the MovieCove catalog yet)(1956)

    Screenplay

  • Komusō henka (not in the MovieCove catalog yet)(1955)

    Producer

  • Taira Clan Saga (not in the MovieCove catalog yet)(1955)

    Screenplay

  • Nagasaki no yoru (not in the MovieCove catalog yet)(1955)

    Producer

  • Maiko sanjūshi (not in the MovieCove catalog yet)(1955)

    Producer

  • Ginji of the Seven Faces (not in the MovieCove catalog yet)(1955)

    Producer

  • Itarō jishi (not in the MovieCove catalog yet)(1955)

    Producer

  • The Young Swordsman (not in the MovieCove catalog yet)(1954)

    Producer

  • A Story from Chikamatsu(1954)

    Production Coordinator

    Midcredits score: 98th percentile of all films
  • Yome to yobarete mada mitsuki (not in the MovieCove catalog yet)(1954)

    Producer

  • Yoidore nitōryū (not in the MovieCove catalog yet)(1954)

    Producer

  • Sansho the Bailiff(1954)

    Production Coordinator

    Midcredits score: 99th percentile of all films
  • Zenigata heiji torimono hikae: Kiniro no ōkami (not in the MovieCove catalog yet)(1953)

    Producer

  • Demon Sword (not in the MovieCove catalog yet)(1953)

    Producer

  • A Geisha (not in the MovieCove catalog yet)(1953)

    Producer

  • City of Violence (not in the MovieCove catalog yet)(1953)

    Producer

  • Ugetsu(1953)

    Story

    Midcredits score: 98th percentile of all films
  • Kettō gofun mae (not in the MovieCove catalog yet)(1953)

    Producer

  • Dekoboko taikōki (not in the MovieCove catalog yet)(1953)

    Producer

  • Midori no hate ni te o furu tenshi (not in the MovieCove catalog yet)(1951)

    Producer

  • Resurrection (not in the MovieCove catalog yet)(1950)

    Producer

  • Kazanmyaku (not in the MovieCove catalog yet)(1950)

    Producer

  • My Name Is Mistress (not in the MovieCove catalog yet)(1949)

    Producer

  • Guren bosatsu (not in the MovieCove catalog yet)(1949)

    Producer

  • That Night's Adventure (not in the MovieCove catalog yet)(1948)

    Production Coordinator

  • Sen-hime goten (not in the MovieCove catalog yet)(1948)

    Producer

  • Nerawareta onna (not in the MovieCove catalog yet)(1948)

    Producer

  • The Sea Wolf (not in the MovieCove catalog yet)(1947)

    Producer · Screenplay

Career shape

A full career of 41 titles from 1947 to 1969.

By role

only this rolewith another role
Writing8 of 41: 7 only writing, 1 with another roleProducing29 of 41: 28 only producing, 1 with another roleOther crew5 of 41: 5 only other crew, 0 with another role

By decade

1940s6 · crew1950s26 · crew1960s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Hisakazu Tsuji's films land?

Their typical MovieCove film has a Midcredits score in the 98th percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 80th percentile for acclaim.

Acclaim · how much people like their films

80thpercentile
Typical film, the median of 3

Approval · how many liked their films

86thpercentile
Typical film, the median of 3

Reach · how many have seen their films

49thpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 75th and up5

Shape of the crowd

None of their 5 titles divides audiences: 3 are Universally Loved.

  • Universally Loved3
  • Crowd Pleaser2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hisakazu Tsuji work with?

People who share at least 2 of Hisakazu Tsuji's MovieCove titles, grouped by what they did on them; Masaichi Nagata shares the most, 3.

Actors

Producers