Shintarô Tsuji
- Producer
- 3 on MovieCove
What are Shintarô Tsuji's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Shintarô Tsuji's films?
As of October 26, 2026, none of Shintarô Tsuji's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Shintarô Tsuji's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 67th percentile of all films
The Mouse and His Child(1977)
Midcredits score: 71st percentile of all films
Midcredits score: 76th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1977 to 1982.
How do Shintarô Tsuji's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Shintarô Tsuji work with?
People who share at least 2 of Shintarô Tsuji's MovieCove titles, grouped by what they did on them; Walt deFaria shares the most, 2.
Producers
- Walt deFariaShared titles: Don't Cry, It's Only Thunder (1982), The Mouse and His Child (1977)See all 2 shared titles with Walt deFaria
- Mark L. RosenShared titles: The Mouse and His Child (1977), Who Are the DeBolts? and Where Did They Get Nineteen Kids? (1977)See all 2 shared titles with Mark L. Rosen
- Warren LockhartShared titles: The Mouse and His Child (1977), Who Are the DeBolts? and Where Did They Get Nineteen Kids? (1977)See all 2 shared titles with Warren Lockhart