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Wanda Tuchock

Writer · Died February 10, 1985, aged 86 · Pueblo, Colorado, USA

Born
March 20, 1898
Died
February 10, 1985 (aged 86)
From
Pueblo, Colorado, USA
Works as
Writer
Titles
8 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 6% in 30 days

What are Wanda Tuchock's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
52%
Morality
20%
Self
18%
Survival
8%
Ideas
3%
Parenthood3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeSacrifice2 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 0 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 3 · Full focus 0

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 3 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
4
Hopeful
3
Warm
2
Romantic
2
Other
2

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet2
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Wanda Tuchock's films?

As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Wanda Tuchock's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 8 with a MovieCove page.

  • Road Runners (not in the MovieCove catalog yet)(1952)

    Director · Writer

  • The Foxes of Harrow(1947)

    Writer

    Midcredits score: 57th percentile of all films

  • The Homestretch (not in the MovieCove catalog yet)(1947)

    Writer

  • Within These Walls (not in the MovieCove catalog yet)(1945)

    Screenplay

  • Nob Hill (not in the MovieCove catalog yet)(1945)

    Writer

  • Sunday Dinner for a Soldier (not in the MovieCove catalog yet)(1944)

    Writer

  • This Is the Life (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Ladies of Washington (not in the MovieCove catalog yet)(1944)

    Screenplay

  • For Beauty's Sake (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Youth Will Be Served (not in the MovieCove catalog yet)(1940)

    Writer

  • The Llano Kid (not in the MovieCove catalog yet)(1939)

    Screenplay

  • O'Shaughnessy's Boy(1935)

    Screenplay

    Midcredits score: 46th percentile of all films

  • Grand Old Girl (not in the MovieCove catalog yet)(1935)

    Story

  • Finishing School (not in the MovieCove catalog yet)(1934)

    Director · Screenplay

  • Little Women(1933)

    Additional Writing · Writer

    Midcredits score: 83rd percentile of all films

  • Bed of Roses (not in the MovieCove catalog yet)(1933)

    Writer

  • No Other Woman (not in the MovieCove catalog yet)(1933)

    Screenplay

  • Little Orphan Annie (not in the MovieCove catalog yet)(1932)

    Writer

  • Bird of Paradise(1932)

    Screenplay

    Midcredits score: 33rd percentile of all films

  • New Morals for Old (not in the MovieCove catalog yet)(1932)

    Additional Dialogue

  • Letty Lynton (not in the MovieCove catalog yet)(1932)

    Adaptation · Writer

  • Susan Lenox (Her Fall and Rise)(1931)

    Adaptation · Screenplay

    Midcredits score: 55th percentile of all films

  • Sporting Blood (not in the MovieCove catalog yet)(1931)

    Screenplay

  • The Champ(1931)

    Writer

    Midcredits score: 87th percentile of all films

  • Not So Dumb (not in the MovieCove catalog yet)(1930)

    Writer

  • Hallelujah(1929)

    Scenario Writer · Screenplay

    Midcredits score: 67th percentile of all films

  • Show People(1928)

    Writer

    Midcredits score: 93rd percentile of all films

Career shape

A full career of 26 titles from 1928 to 1952.

Highest rated

The Champ (1931)

Midcredits 87th

Most popular right now

Susan Lenox (Her Fall and Rise) (1931)

By role

only this rolewith another role
Directing2 of 26: 0 only directing, 2 with another roleWriting24 of 26: 22 only writing, 2 with another role · typical Midcredits score56thOther crew2 of 26: 2 only other crew, 0 with another role

By decade

1920s2 · crew1930s14 · crew1940s9 · crew1950s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Wanda Tuchock's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 7

Approval · how many liked their films

59thpercentile
Typical film, the median of 7

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th2

Shape of the crowd

None of their 8 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed2

Most loved · writer

Show People (1928)

Midcredits 93rd · 83% liked

Reviewers score the dialogue 49/100 and the plot and story 51/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Wanda Tuchock work with?

People who share at least 2 of Wanda Tuchock's MovieCove titles, grouped by what they did on them; King Vidor shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers