Seiichirô Uno

What are Seiichirô Uno's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Seiichirô Uno's films?

As of October 28, 2026, none of Seiichirô Uno's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Seiichirô Uno's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Puss 'n Boots: Travels Around the World(1976)

  Composer

  Midcredits score: 71st percentile of all films71^st
• 

  Ari-Baba to yonjuppiki no tozoku(1971)

  Composer

  Midcredits score: 37th percentile of all films37^th
• 

  Puss in Boots(1969)

  Composer

  Midcredits score: 83rd percentile of all films83^rd

Career shape

Across a limited sample of 3 MovieCove titles from 1969 to 1976.

Highest rated

Puss in Boots (1969)

Midcredits 83^rd

How do Seiichirô Uno's films land?

Their typical MovieCove film has a Midcredits score in the 71^st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Crowd Pleasers.

12

• Cult Classic1
• Crowd Pleaser2

Most divisive · composer

Ari-Baba to yonjuppiki no tozoku (1971)

77^th percentile spread · 27% rated it 4 or lower

Most loved · composer

Puss in Boots (1969)

Midcredits 83^rd · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Seiichirô Uno work with?

People who share at least 2 of Seiichirô Uno's MovieCove titles, grouped by what they did on them; Isamu Tanonaka shares the most, 3.