Peter R. Van Duinen
- Producer
- 3 on MovieCove
What are Peter R. Van Duinen's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter R. Van Duinen's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Peter R. Van Duinen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Corregidor(1943)
Midcredits score: 11th percentile of all films
Girls in Chains(1943)
Midcredits score: 8th percentile of all films
Prisoner of Japan(1942)
Midcredits score: 4th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 1942 to 1943.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Peter R. Van Duinen's films land?
Their typical MovieCove film has a Midcredits score in the 8th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 10th percentile for acclaim.
- Below 25th3
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Peter R. Van Duinen work with?
People who share at least 2 of Peter R. Van Duinen's MovieCove titles, grouped by what they did on them; Edgar G. Ulmer shares the most, 3.
Directors
- Edgar G. UlmerShared titles: Corregidor (1943), Girls in Chains (1943), Prisoner of Japan (1942)See all 3 shared titles with Edgar G. Ulmer
Composers, cinematographers and editors
- Leo ErdodyShared titles: Corregidor (1943), Girls in Chains (1943), Prisoner of Japan (1942)See all 3 shared titles with Leo Erdody
- Charles Henkel Jr.Shared titles: Corregidor (1943), Girls in Chains (1943)See all 2 shared titles with Charles Henkel Jr.
- Ira H. MorganShared titles: Corregidor (1943), Girls in Chains (1943)See all 2 shared titles with Ira H. Morgan
